“Wagon Train was on. It seemed to be beaming in from some foreign country. I shut that off, too, and went into another room, a windowless one with a painted door--a dark cavern with a floor-to-ceiling library. I switched on the lamps. The place had an overpowering presence of literature and you couldn't help but lose your passion for dumbness.”

“It was a shut door, and shut doors meant things kept to yourself. There were reasons you kept things to yourself, and they usually weren’t good, happy, open-air sort of reasons. Still, I didn’t want to see behind that door. You think you want to know everything there is to know about everything there is to know. But you don’t. Not really. I had pried the lid off of the dark places of another person before, I had seen inside. Down deep. You don’t want to look at what’s rotting there.”

“His room was dark until he switched on his desk lamp. I sat on the floor next to his bed and watched him counting clothes and considering shoes. He seemed so boyish right then—like he wished his mom would just come in and pack for him. I couldn’t possibly love him any more than I did at that moment.”

“The projector's beam lay warm on Walt's neck, and he knew they'd all been plucked from danger and love, from another time, another place, and set back into this dark, sticky-floored theater, in the heart of nothing much that mattered.”

“Around this world will I be enough?From the liquor stores, to the train stop floors, your filthy room, your drama bluesI am nothing if I'm not with you.”

“I'd always known that when you went through one of these doors, you went to another planet, and that that other planet might be so far away, you couldn't fly there in spaceship in a million years. Somehow, the whole thing had never seemed strange before today.”