“I hope that when machines finally take over, they won't build men that break down, as soon as they're paid for.”

“Streets paved with opal sadness,Lead me counterclockwise, to pockets of joy,And jazz.”

“And it's even in some of the western literature, you know, live and let live. That is such crap. I tell my friends that--even my gay friends bring it up sometimes. I'm like, "That is crap, you know?" I mean, basically what it boils down to: If I don't tell you I'm a fag, you won't beat the crap out of me. I mean, what's so great about that? That's a great philosophy?”

“The building itself is hostile: cracked plaster, broken windows, splintered doors and carved up desks, gloomy corridors, metal stairways, dingy cafeteria (they can eat sitting down only in 20 minute shifts) and an auditorium which has no windows. It does have murals, however, depicting mute, muscular harvesters, faded and immobilized under a mustard sun.That's where we had assembly this morning.”

“Who am I helping, what am I breaking, what am I giving, what am I taking?”

“She wrote poetry constantly; that was her "work". She was a slow bleeder and she slaved over it for long, exhausting hours, and many a middle of a night I could hear her creaking around the dead house with a pen in one hand, a clipboard and a flashlight in the other, refining her poems, jotting down the lines of a conceit. Writing never came easy for her; it gave her calluses. She never courted the muses, she wrestled them, mauled them all over the house and came up, after weeks of peripatetic labor, with a slim Spencerian sonnet, fourteen lines of imagistic jabberwocky.”

“There are nearly thirteen million people in the world. None of those people is an extra. They're all the leads of their own stories. They have to be given their due.”