“He wants to dream like a young man with the wisdom of a old man, he wants his home and securities, he wants to live like a sailor at sea. Beautiful loser..where you gonna fall? When you realize you just can't have it all, you just dont need it all. He is your oldest and your best friend, when you need him he'll be there again, he is always willing to be second best, a perfect lodger; a perfect guest." ~ Beautiful Loser”

“You can't fall in love with a man for who he is, and then expect him to change. Just love him, and if he's worth his salt, he'll give you what you need and be the man you need him to be.”

“He’s not perfect. You aren’t either, and the two of you will never be perfect. But if he can make you laugh at least once, causes you to think twice, and if he admits to being human and making mistakes, hold onto him and give him the most you can. He isn’t going to quote poetry, he’s not thinking about you every moment, but he will give you a part of him that he knows you could break. Don’t hurt him, don’t change him, and don’t expect for more than he can give. Don’t analyze. Smile when he makes you happy, yell when he makes you mad, and miss him when he’s not there. Love hard when there is love to be had. Because perfect guys don’t exist, but there’s always one guy that is perfect for you.”

“Well, if you’re a native Chicagoan, you know how dumb he [Dr. Robert Hartley] is. He gets on the Ravenswood El, he goes past his stop on Sheridan Road, he gets off in Evanston, where the El is on the ground, and then he walks back 55 blocks to his apartment. Now, would you want to have that man as a psychologist? A man who misses his stop every day?”

“Stevie: "If you think he's a lecher and all men are disgusting, why do you want me to date?"Zena: "Because, Stevie. Now and then, when the moon is full and bluish, when the galaxy is all calm and peaceful and serenity rules and even the falling stars are falling gracefully, and the wind creates a beautiful song, that's when you find one outstanding man. Kind. Loyal. Funny and smart, great in bed but not kinky. A lover in his head and in his body. A man who doesn't think as a dick-obsessed monkey with a brain the size of a testicle, but one who is thoughtful and can hold his emotions in one hand and hug you close with the other. A man who is a hunky, manly man but who can talk to you like your best girlfriend, because that's what he wants to be for you. Your best friend."(Page 44)”

“Religion has actually convinced people that there's an invisible man living in the sky who watches everything you do, every minute of every day. And the invisible man has a special list of ten things he does not want you to do. And if you do any of these ten things, he has a special place, full of fire and smoke and burning and torture and anguish, where he will send you to live and suffer and burn and choke and scream and cry forever and ever 'til the end of time! But He loves you. He loves you, and He needs money! He always needs money! He's all-powerful, all-perfect, all-knowing, and all-wise, somehow just can't handle money!”

“I was always fishing for something on the radio. Just like trains and bells, it was part of the soundtrack of my life. I moved the dial up and down and Roy Orbison's voice came blasting out of the small speakers. His new song, "Running Scared," exploded into the room.Orbison, though, transcended all the genres - folk, country, rock and roll or just about anything. His stuff mixed all the styles and some that hadn't even been invented yet. He could sound mean and nasty on one line and then sing in a falsetto voice like Frankie Valli in the next. With Roy, you didn't know if you were listening to mariachi or opera. He kept you on your toes. With him, it was all about fat and blood. He sounded like he was singing from an Olympian mountaintop and he meant business. One of his previous songs, "Ooby Dooby" was deceptively simple, but Roy had progressed. He was now singing his compositions in three or four octaves that made you want to drive your car over a cliff. He sang like a professional criminal. Typically, he'd start out in some low, barely audible range, stay there a while and then astonishingly slip into histrionics. His voice could jar a corpse, always leave you muttring to yourself something like, "Man, I don't believe it." His songs had songs within songs. They shifted from major to minor key without any logic. Orbison was deadly serious - no pollywog and no fledgling juvenile. There wasn't anything else on the radio like him.”