“[D]id you ever notice how friendships are a lot like pop songs? They are for girls, anyway. First there's the newness of it, the melody that streams into your head and makes you wonder ― will I like this song? Then come the vocals, what the song's heart truly sounds like, and with it the song's purpose, it's lyrics ― will they say something meaningful about my life? Will these words help me through a difficult time, or create a memory that will make me smile whenever I hear this song again?”

“When I think about my clone, random songs pop into my head. Songs like, “Happy Birthday.” Will he celebrate the same birthday as me? He’d better, because without me, there’d be nothing for him to celebrate.”

“I wrote a song called "Stinky Sodomite." It isn't a pop song, a historical song, or a song condemning homosexuality. Rather, it is a children's song that teaches them how to count. In fact, the only time the words "Stinky Sodomite" appear in the song is in the title. Other tracks on the educational CD include "The Ratio of Fellatio," "Thomas Jefferson's Johnson," and "It's Never Too Early to Ask Your Father About His First Erection.”

“The Impossible Dream": The song I hear in my head whenever life throws me a major crisis.”

“Other memories stick, no matter how much you wish they wouldn’t. They’re like a song you hate but can’t ever get completely out of your head, and this song becomes the background noise of your entire life, snippets of lyrics and lines of music floating up and then receding, a crazy kind of tide that never stops.”

“HEREIt’s-Can I say?It’s like the song of a family where everything’s always all right, it’s a song of belonging that makes you belong just by hearing it, it’s a song that’ll always take care of you and never leave you. If you have a heart, it breaks, if you have a heart that’s broken, it fixes.”