“But comes a time for a woman when she stops thinking of herself as a girl, as a person of possibilities. She starts looking at the plain facts of herself. Her body that’s become the body that she has and her habits becoming the habits that she’s written in stone. Her “haves” being the ones she’s got and maybe not getting anymore.”

“Plainly, she is quite besotted by him,... a girl, a young girl, and she is falling in love for the first time in her life. ...little Kitty Howard at a loss, stumbling in her speech, blushing like a rose, thinking of someone else and not herself is to see a girl become a woman.”

“Listen to a woman speak at a public gathering (if she hasn't painfully lost her wind). She doesn't "speak," she throws her trembling body forward; she lets go of herself, she flies; all of her passes into her voice, and it's with her body that she vitally sup- ports the "logic" of her speech. Her flesh speaks true. She lays herself bare. In fact, she physically materializes what she's thinking; she signifies it with her body. In a certain way she inscribes what she's saying, because she doesn't deny her drives the intractable and impassioned part they have in speaking. Her speech, even when "theoretical" or political, is never simple or linear or "objectified," generalized: she draws her story into history.”

“No one else could see all the bodies she’d left behind, but they were there, looking at her. Or maybe that was just her, looking at herself, and not liking what she saw. Knowing she could never escape her own judging gaze.”

“When a girl feels that she’s perfectly groomed and dressed she can forget that part of her. That’s charm”

“The second impediment was that she didn't want to acknowledge that part of her impetus to Internet stalking was a long habit of trusting no one. A habit whose genesis was the self-knowledge that she herself was untrustworthy.”