“Her voice was like loneliness. It was regret. She sang about a past you couldn't get out of and didn't want.”

“The sound of her voice was painful. She screamed, sobbed, whispered Hallelujah. But she never sang it.”

“I couldn't work out what she actually wanted. Whether being dead happened in a pretty box on Welsh Street or someplace else, it didn't make a difference. Dead was irreversible. It was permanent. You couldn't do anything about it, and still, Tate seemed determined to take it back, like with the right answer, she could fix everything.”

“Lillian was always so good at treating everything like a test, like some kind of game where the prize was shiny and untouchable. Perfection. She wanted me to back off, butt out, stop trying to control her life. And she wanted me to save her.”

“The tone of his voice is like he expects a fight, like he’s challenging me to disagree, and I want to tell him that I don’t care one way or the other. That her blood-relative status makes no difference as long as she loves him. And she does. She wears it, beaming it around like a neon sign.”

“Did you ever think about boys?' I say, staring up into the dark. 'There wasn't room,' she whispers, and her voice is unbelievably sad. 'At first, after Connor, I was just waiting. I was going to get a new boyfriend soon- as soon as I was prettier or better, more perfect. But after a while there was no room for anything else. If I though about kissing or sex, I just started feeling ugly, too awful for anything good.”

“I wanted to tell her that I loved her, and not in the complicated way I loved our parents, but in a simple way I never had to think about. I loved her like breathing.”