“I couldn't work out what she actually wanted. Whether being dead happened in a pretty box on Welsh Street or someplace else, it didn't make a difference. Dead was irreversible. It was permanent. You couldn't do anything about it, and still, Tate seemed determined to take it back, like with the right answer, she could fix everything.”

“Her voice was like loneliness. It was regret. She sang about a past you couldn't get out of and didn't want.”

“Lillian was always so good at treating everything like a test, like some kind of game where the prize was shiny and untouchable. Perfection. She wanted me to back off, butt out, stop trying to control her life. And she wanted me to save her.”

“Why does she always seem to think you drive like we're holding up a bank?"Roswell grinned and rolled his eyes, "Because that's what teenagers do, right? They also carve swastikas into their arms, steal prescription drugs from old people, and freebase cocaine. I need to institute a policy where she stops watching 60 Minutes and pretty much all public service announcements.”

“You can't keep acting like this," Lillian says, and for the first time in months, it's like she's actually trying to be nice. "Tragedy isn't this evil thing that came from outer space. It's just there, you know. Along with everything else.”

“That was the thing about being bereaved. People were overcome with sympathy. They did things for you without even considering whether or not it was the right thing to do.”

“The tone of his voice is like he expects a fight, like he’s challenging me to disagree, and I want to tell him that I don’t care one way or the other. That her blood-relative status makes no difference as long as she loves him. And she does. She wears it, beaming it around like a neon sign.”