“Lillian is humming to herself, stretched out on top of my bookcase like she doesn’t mind the heat, and of course she doesn’t. Even when she was alive, she could never seem to get warm. The tune she’s humming is thin and tight with anxiety. It’s the opposite of carefree.”

“The way Lillian says it is hungry, like she’s waiting for something to be revealed, and I wonder if maybe that’s the real difference between us—that when she pulls back the curtain and stares into the blackness behind it, it’s just one more way of testing herself. Like some game you can never win, because even if you face all the shocking realities and the horrors of the world, once you’ve seen that kind of awfulness, you can never un-see it. You have to carry it around with you forever.”

“I never told her, but the Queen of Hearts charm always reminded me of her, even when she was alive. The way that all ways were Lillian’s ways, and how in the story the queen is unpredictable and kind of scary, but even when she throws a tantrum or threatens to cut off Alice’s head, she never really means it.”

“Lillian was always so good at treating everything like a test, like some kind of game where the prize was shiny and untouchable. Perfection. She wanted me to back off, butt out, stop trying to control her life. And she wanted me to save her.”

“I get out my hairbrush and wish for her—the real Lillian, and not the worst, most selfish parts of her. I wish for a warm, true best friend, one who didn’t die.”

“Goodbye," she said.When I didn't say it back, she rested her hand on the top of my head. The weight was strange and gentle. "I love you," she said. "And when I tell you goodbye, I don't mean forever or for long. Just that I'm going home now, and so are you.”

“Her voice was like loneliness. It was regret. She sang about a past you couldn't get out of and didn't want.”