“Lillian was always so good at treating everything like a test, like some kind of game where the prize was shiny and untouchable. Perfection. She wanted me to back off, butt out, stop trying to control her life. And she wanted me to save her.”

“The way Lillian says it is hungry, like she’s waiting for something to be revealed, and I wonder if maybe that’s the real difference between us—that when she pulls back the curtain and stares into the blackness behind it, it’s just one more way of testing herself. Like some game you can never win, because even if you face all the shocking realities and the horrors of the world, once you’ve seen that kind of awfulness, you can never un-see it. You have to carry it around with you forever.”

“Her voice was like loneliness. It was regret. She sang about a past you couldn't get out of and didn't want.”

“You can't keep acting like this," Lillian says, and for the first time in months, it's like she's actually trying to be nice. "Tragedy isn't this evil thing that came from outer space. It's just there, you know. Along with everything else.”

“I never told her, but the Queen of Hearts charm always reminded me of her, even when she was alive. The way that all ways were Lillian’s ways, and how in the story the queen is unpredictable and kind of scary, but even when she throws a tantrum or threatens to cut off Alice’s head, she never really means it.”

“The tone of his voice is like he expects a fight, like he’s challenging me to disagree, and I want to tell him that I don’t care one way or the other. That her blood-relative status makes no difference as long as she loves him. And she does. She wears it, beaming it around like a neon sign.”

“Lillian laughs and rolls her eyes. “Do I look like I know the answer to that? I always just locked on to the target and then followed it all the way down.”