“Grace abounds in contemporary movies, books, novels, films and music. If God is not in the whirlwind, He may be in a Woody Allen film, or a Bruce Springsteen concert. Most people understand imagery and symbol better than doctrine and dogma. Images touch hearts and awaken imaginations. One theologian suggested that Springsteen's 'Tunnel of Love' album, in which he symbolically sings of sin, death, despair and redemption, is more important for Catholics than the Pope's last visit when he spoke of morality only in doctrinal propositions.”

“[on Springsteen's "Stolen Car":] A kind of mystical film noir, written by Kafka and shot by Polanski.”

“Nothing is harder to understand than a symbolic work. A symbol always transcends the one who makes use of it and makes him say in reality more than he is aware of expressing.”

“Far more powerful than religion, far more powerful than money, or even land or violence, are symbols. Symbols are stories. Symbols are pictures, or items, or ideas that represent something else. Human beings attach such meaning and importance to symbols that they can inspire hope, stand in for gods, or convince someone that he or she is dying. These symbols are everywhere around you.”

“The core symbols we use for God represent what we take to be the highest good....These symbols or images shape our worldview, our ethical system, and our social practice--how we relate to one another.For instance, [Elizabeth A.] Johnson suggests that if a religion speaks about God as warrior, using militaristic language such as how "he crushes his enemies" and summoning people to become soldiers in God's army, then the people tend to become militaristic and aggressive.Likewise, if the key symbol of God is that of a male king (without any balancing feminine imagery), we become a culture that values and enthrones men and masculinity.”

“Up until then, whenever anyone had mentioned the possibility of making a film adaptation, my answer had always been, ‘No, I’m not interested.’ I believe that each reader creates his own film inside his head, gives faces to the characters, constructs every scene, hears the voices, smells the smells. And that is why, whenever a reader goes to see a film based on a novel that he likes, he leaves feeling disappointed, saying: ‘the book is so much better than the film.”