“On the plane leaving Tokyo I’m sitting alone in back twisting the knobs on Etch-A-Sketch and Roger is next to me singing “Over the Rainbow” straight into my ear, things changing, falling apart, fading, another year, a few more moves, a hard person who doesn’t give a fuck, a boredom so monumental it humbles, arrangements so fleeting made by people you don’t even know that it requires you to lose any sense of reality you might have once acquired, expectations so unreasonable you become superstitious about ever matching them. Roger offers me a joint and I take a drag and stare out the window and I relax for a moment when the lights of Tokyo, which I never realized is an island, vanish from view but this feeling only lasts a moment because Roger is telling me that other lights in other cities, in other countries, on other planets, are coming into view soon.”

Bret Easton Ellis

Bret Easton Ellis - “On the plane leaving Tokyo I’m...” 1

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“Thingschanging, failing apart, fading, another year, a few moremoves, a hard person who doesn't give a fuck, a boredom somonumental it humbles, arrangements so fleeting made bypeople you don't even know that it requires you to lose anysense of reality you might have once acquired, expectationsso unreasonable you become superstitious about evermatching them.”

Bret Easton Ellis
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“What I must learn is to love with all of me, giving all of me, and yet remain whole in myself. Any other kind of love is too demanding of the other; it takes, rather than gives. To love so completely that you lose yourself in another person is not good. You are giving a weight, not the sense of lightness and light that loving someone should give.”

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“I had more positive views. Which made me feel that although I hadn't been taught to assimilate, a person perhaps assimilated without knowing it. I was doing it now. You did it alone, and not with other or for them. And assimilating possibly wasn't so hard and risky and didn't need to be permanent. This state of mind conferred another freedom on me and was like starting life over, or as I've already said, becoming someone else -- but someone who was not stalled but moving, which was the nature of things in the world. I could like it or hate it, but the world would change around me no matter how I felt.”

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“You come to work every day but you hardly get to know anyone. I don't even know the names of half the people I see in the elevators. They say the company is a big family, but I don't know them. And even the people I do, like you two, and Elizabeth, and Roger - do I really? I mean, I like you guys, but we only ever talk about work. When I'm out with friends, or at home, I never talk about work. The other day, I tried to explain to my sister why it's such a huge deal that Elizabeth ate Roger's donut, and she thought I was insane. And you know what, I agreed with her. At home I couldn't even think why it mattered. Because I'm a different person at home. When I leave this place at night, I can feel myself changing. Like shifting gears in my head. And you guys don't know that; you just know what I'm like here, which is terrible, because I think I'm better away from work. I don't even like who I am here. Is that just me? Or is everyone different when they come to work? If they are, then what are they really like? How can we ever know? All we know are the Work People.”

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“Reputation is what others think of us; character is what God knows of us. When you have spent what feels like eternity trying to repair a few moments of time that destroyed the view others once had of you then you must ask yourself if you have the problem or is it really them? God doesn’t make us try so hard, only enemies do.”

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