“Nimrod began to understand that what he was experiencing was, in spite of its appearance of novelty, something which had existed before–many times before. His body began to recognize situations, impressions, and objects. In reality, none of there astonished him very much. Faced with new circumstances, he would dip into the fount of his memory, the deep-seated memory of the body, would search blindky and feverishly, and often find ready made within himself a suitable reaction: the wisdom of generations, deposited in his plasma, in his nerves. He found actions and decisions of which he had not been aware but which had been lying in wait, ready to emerge.”

“An anxiety with no object or purpose in the present, and in the future nothing but endless sacrifice, by means of which he would attain nothing - that was what his days on earth held in store for him... What good was life to him? What prospects did he have? What did he have to strive for? Was he to live merely in order to exist? But a thousand times before he had been ready to give up his existence for an idea, for a hope, even for an imagining. Existence on its own had never been enough for him; he had always wanted more than that. Perhaps it was merely the strength of his own desires that made him believe he was a person to whom more was allowed than others.”

“And there came to him a feeling which he had often had before in many different places--that he himself was a part of all this, the great, blind, wistful soul of mankind, which had been here before he was born and would be here when he was dead--still groping, yearning, struggling upward, on and on--to something distant as the sun. And still would he be part of it all, through the eager lives of his children.”

“After dinner Natasha went to the clavichord, at Prince Andrey's request, and began singing. Prince Andrey stood at the window, talking to the ladies, and listened to her. In the middle of a phrase, Prince Andrey ceased speaking, and felt suddenly a lump in his throat from tears, the possibility of which he had never dreamed of in himself. He looked at Natasha singing, and something new and blissful stirred in his soul. He was happy, and at the same time he was sad. He certainly had nothing to weep about, but he was ready to weep. For what? For his past love? For the little princess? For his lost illusions? For his hopes for the future? Yes, and no. The chief thing which made him ready to weep was a sudden, vivid sense of the fearful contrast between something infinitely great and illimitable existing in him, and something limited and material, which he himself was, and even she was. This contrast made his heart ache, and rejoiced him while she was singing.”

“What, indeed, is a New Yorker? Is he Jew or Irish? Is he English or German? Is he Russian or Polish? He may be something of all these, and yet he is wholly none of them. Something has been added to him which he had not had before. he is endowed with a briskness and an invention often alien to his blood. He is quicker in his movement, less trammeled in his judgement...The change he undergoes is unmistakeable, New York, indeed, resembles a magic cauldron. Those who are cast into it are born again.”

“He wondered if he would live to see the blossom on his apple trees and felt an answering pop inside himself. Ah, so it would not be long now. It began to snow lightly, the last flakes to fall before the spring. He put on his wedding finery, the clothes he had worn so long ago when he married his beloved Pamposh, and which he had kept all this time wrapped in tissue paper in a trunk. As a bridegroom he went outdoors and the snowflakes caressed his grizzled cheeks. His mind was alert, he was ambulatory and nobody was waiting for him with a club. He had his body and his mind and it seemed he was to be spared a brutal end. That at least was kind. He went into his apple orchard, seated himself cross-legged beneath a tree, closed his eyes, heard the verses of the Rig-Veda fill the world with beauty and ceased upon the midnight with no pain.”