“Buffy Summers: (to Spike) "I could NEVER be your girl!”

“The beatings are further proof that Spike's "humiliation," the level to which he has sunk, and a physical sign of vulnerability. But they are also "sexy wounds" (as Buffy playing Robot-Buffy says in "Intervention"), since Spike's body is displayed to be looked at. Further, as with Angel and Dru, Spike and Buffy's relationship uses pain/violence as eroticism (when Spike tells Buddy "I love you," she responds "You're in love with pain" ["Smashed"]). Mulvey's association of voyeurism, sadism, and narrative is useful here.”

“Throughout the relationship Spike has ignored Buffy's denials, even though it was fairly clean that Buffy's "no" didn't mean no and ambivalent scenes such as this paved the way for the "real" violence of the attempted rape...there are strong links between love, sex, and violence, and Spike uses romantic heterosexual love as a "defense" of sexualized violence.”

“We'd even devised the Buffy scale of life relationships: you start off wanting Xander, spend your twenties going out with Spike and setttle down with giles.”

“I fell for her in summer, my lovely summer girl,From summer she is made, my lovely summer girl,I’d love to spend a winter with my lovely summer girl,But I’m never warm enough for my lovely summer girl,It’s summer when she smiles, I’m laughing like a child,It’s the summer of our lives; we’ll contain it for a whileShe holds the heat, the breeze of summer in the circle of her handI’d be happy with this summer if it’s all we ever had.”

“My question is, how and why would a being who has no soul, and no conscience, and no ability to judge between morality and immorality, suddenly become capable of perceiving it [Spike's attempted rap of Buffy] as a "wrong" which needs to be "righted"?”