“Down through the years my face has been called a sour puss, a dead pan, a frozen face, The Great Stone Face, and, believe it or not, "a tragic mask." On the other hand that kindly critic, the late James Agee, described my face as ranking "almost with Lincoln's as an early American archetype, it was haunting, handsome, almost beautiful." I can't imagine what the great rail splitter's reaction would have been to this, though I sure was pleased.”

“As a beauty I'm not a great star. Others are handsomer far; but my face --I don't mind it because I'm behind it; it the folks out in front that I jar.”

“Your true face... What kind of... face is it? I wonder... The face under the mask... Is that... your true face?”

“I have been attacked by crows and men with grotesque faces; I have been set on fire by the boy who almost threw me off a ledge; I have almost drowned - twice - and this> is what I can't cope with? This is the fear I have no solutions for - a boy I like, who wants to...have sex with me?”

“Look in my face; my name is Might-have-been; I am also call'd No-more, Too-late, Farewell”

“She was beautiful, only hers was the dark beauty of night, just as Sherry's was the bright beauty of daytime. Her hair was raven-black, ending in a sort of widow's peak low on her forehead, and her face and arms were alabaster- white. Her gown was a clinging thing of swirling black, almost like smoke, and two peculiar shoulder-draperies she wore, hanging down loosely and caught at the wrists, almost suggested great triangular wings when her arms were in motion.Her lips were a red gash in the pallor of her face, and they glistened as though she had daubed them with fresh blood instead of rouge."What's your name?" I asked."Call me Faustine," she said low. I saw her staring fixedly at me, with a sort of half-smile on her face, but her gaze rested a little lower than my own face. I fingered my neck uneasily. "Is there something on my collar?"("Vampire's Honeymoon")”