“Politeness is okay, but it gets old and boring. You want to attack life with a passion, not a politeness, you want people to think about you and remember you and say "she is so passionate" you don't want people to think about you and remember you and say "she is so polite," because, who cares about polite?”

“You know, one of the interesting things you find about writing fiction is that any fiction you write has to be political. Otherwise, it goes into the realm of fantasy. So like, if you write about a woman in America in 1910, if you don’t write that she can’t really control her property, that she can’t—doesn’t have any say over her children, that she can’t vote—if you don’t put that in it, then it’s a fantasy. Like, well, how is her life informed? That’s true about everybody. If you write about black people, you write about white men, I mean, it has to be political. A lot of people don’t realize that, it seems.”

“Understand: people will constantly attack you in life. One of their main weapons will be to instill in you doubts about yourself – your worth, your abilities, your potential. They will often disguise this as their objective opinion, but invariably it has a political purpose – they want to keep you down.”

“I have always hated celebrities lecturing people on politics. So forgive me. But I am passionate about this country. I am equally passionate about the potential of the people who live here.”

“you're thinking too hard about how to respond to my stupidity. Have to be polite don't you?”

“You develop an instant global consciousness, a people orientation, an intense dissatisfaction with the state of the world, and a compulsion to do something about it. From out there on the moon, international politics look so petty. You want to grab a politician by the scruff of the neck and drag him a quarter of a million miles out and say, ‘Look at that, you son of a bitch.”