“It is not the task of a writer to 'tell all,' or even to decide what to leave in, but to decide what to leave out. Whatever remains, that meager sum of this profane division, that's the bastard chimera we call a 'story.' I am not building, but cutting away. And all stories, whether advertised as truth or admitted falsehoods, are fictions, cleft from the objective facts by the aforementioned action of cutting away. A pound of flesh. A pile of sawdust. Discarded chips of Carrara marble. And what's left over."Houses Under The Sea”

“All we are, all we can be, are the stories we tell," he says, and he is talking as if he is talking only to me. "Long after we are gone, our words will be all that is left, and who is to say what really happened or even what reality is? Our stories, our fiction, our words will be as close to truth as can be. And no one can take that away from you.”

“Don't lies eventually lead to the truth? And don't all my stories, true or false, tend toward the same conclusion? Don't they all have the same meaning? So what does it matter whether they are true or false if, in both cases, they are significant of what I have been and what I am? Sometimes it is easier to see clearly into the liar than into the man who tells the truth. Truth, like light, blinds. Falsehood, on the contrary, is a beautiful twilight that enhances every object.”

“...what makes a story unique is not necessarily the information in the story but what the writer chooses to put in or leave out.(pg. 146-147)”

“Ms. Doman had this whole thing about how we have to tell stories about whatever happens to us, and then we can use those stories to decide whether out lives are happy or not, whether events have redeeming aspects or are totally hopeless, that it's really all about how we choose to shape and name things.”

“A writer is congenitally unable to tell the truth and that is why we call what he writes fiction.”