“After they had gone another mile, Pinocchio heard the same little low voice saying to him:'Bear it in mind, simpleton! Boys who refuse to study, and turn their backs upon books, schools, and masters, to pass their time in play and amusements, sooner or later come to a bad end... I know it by experience... and I can tell you. A day will come when you will weep as I am weeping now... but then it will be too late!...'On hearing these words whispered very softly, the puppet, more frightened than ever, sprang down from the back of his donkey and went and took hold of his mouth.Imagine his surprise when he found that the donkey was crying... and he was crying like a boy!”

“He laughs like it's the funniest thing he's ever heard. I roll myeyes and pretend not to notice how very bad he is at dancing orhow adorable he looks when he throws his head back andchuckles. Luke Bryan comes on the radio. Boy am I in trouble.”

“You heard what the little filth said to me,” Ury growled. “He’ll be trouble. I say trench him now.”The other man spoke, his voice low and even. “I heard him, Ury. His mind is quick, and his Greek is good.” He knelt down beside my head. “Your choice, boy. Decide now.”

“Marcus sat down beside me against the wall and pulled me into his arms. I went like a child and curled up in his lap and cried. He didn’t speak. He just held me, and his silence and acceptance soothed the pain. When my crying eventually mellowed, I stared up at him and touched his face. He was real, and he was here. Even after I had been the reason he lost his job, he had come to me in the darkness. “Saddie,” he whispered, as if his words might be too much for me. “I need you to eat for me.”

“We are thankful to come here for rest, sir," said Jenny. "You see, you don't know what the rest of this place is to us; does he, Lizzie? It's the quiet, and the air.""The quiet!" repeated Fledgeby, with a contemptuous turn of his head towards the City's roar. "And the air!" with a "Poof!" at the smoke."Ah!" said Jenny. "But it's so high. And you see the clouds rushing on above the narrow streets, not minding them, and you see the golden arrows pointing at the mountains in the sky from which the wind comes, and you feel as if you were dead."The little creature looked above her, holding up her slight transparent hand."How do you feel when you are dead?" asked Fledgeby, much perplexed."Oh, so tranquil!" cried the little creature, smiling. "Oh, so peaceful and so thankful! And you hear the people who are alive, crying, and working, and calling to one another down in the close dark streets, and you seem to pity them so! And such a chain has fallen from you, and such a strange good sorrowful happiness comes upon you!"Her eyes fell on the old man, who, with his hands folded, quietly looked on."Why it was only just now," said the little creature, pointing at him, "that I fancied I saw him come out of his grave! He toiled out at that low door so bent and worn, and then he took his breath and stood upright, and looked all round him at the sky, and the wind blew upon him, and his life down in the dark was over!—Till he was called back to life," she added, looking round at Fledgeby with that lower look of sharpness. "Why did you call him back?""He was long enough coming, anyhow," grumbled Fledgeby."But you are not dead, you know," said Jenny Wren. "Get down to life!"Mr Fledgeby seemed to think it rather a good suggestion, and with a nod turned round. As Riah followed to attend him down the stairs, the little creature called out to the Jew in a silvery tone, "Don't be long gone. Come back, and be dead!" And still as they went down they heard the little sweet voice, more and more faintly, half calling and half singing, "Come back and be dead, Come back and be dead!”

“I took one look at his composed face and know he doesn’t understand,because if he did understand, he would be weeping, too, for this boy who loved a world that never loved him.”