“The contract between the author and the reader is a game. And the game . . . is one of the greatest invetions of Western civilization: the game of telling stories, inventing characters, and creating the imaginary paradise of the individual, from whence no one can be expelled because, in a novel, no one owns the truth and everyone has the right to be heard and understood.”

“One wants to tell a story, like Scheherezade, in order not to die. It's one of the oldest urges in mankind. It's a way of stalling death.”

“I believe in books that do not go to a ready-made public, I’m looking for readers I would like to make. To win them, to create readers rather than to give something that readers are expecting. That would bore me to death.”

“Language is always the companion of Empire and Empire . . . is one Monarch and one Sword.”

“The novel is the privileged vehicle of two ways of being: narrative and freedom: to be new (novel) in a speech open to all, and to be free in a speech that never concludes.”

“Because it’s a fucking disaster to be creative when you know you’re not Mozart or Keats. Dammit, I got tired of scratching around in my past. There’s nothing in me to justify the pretension of creativity. This came before anything, before you, before Raquel, this is a matter of my own emptiness, my awareness of my own limits, maybe my sterility. Does what I’m saying to you seem awful? Now you want to come along and sell me an illusion, which I don’t believe in but which does make me believe that either you’re a fool or you underestimate my intelligence. Why don’t you just leave me alone, so I can fill the emptiness in my own way? Let me see things for myself, learn if something can still grow in my soul, an idea, a faith, because I swear to you, Laura, my soul is more desolate than this rock landscape you see here… why?”

“Love can isolate us from everything around us. But in its absence, we can be filled with the fear that something comparable exists.”