“Sempre que sonhava, morria no sonho.”

“When strangers on a train or a plane ask what I do for a living, I say, "I kill people." This response makes for a short conversation. No eye contact and no sudden movement from my seat-mate. Only peace and quiet. Rare is the fellow passenger who asks why I do it.I suppose I got tired hanging out in a book all day waiting for a story to begin. I write the kind of novels I want to read. And why the theme of solving murders? Violent death is larger than life and it's the great equalizer. By law, every victim is entitled to a paladin and a chase, else life would be cheapened.And the real reason I do this? My brain is simply bent this way. There is nothing else I would rather do. This neatly chains into my theory of the writing life. If you scratch an artist, under the skin you will find a bum who cannot hold down a real job. Conversely, if you scratch a bum... but I have never done that.The heart of my theory has puritan roots: if you love what you do, you cannot call it honest work.”

“Crazy is a place," said Janos. "You go, you come back.”

“So maybe my own life is not so drastic and dreadful...maybe I am just like all those other girls who have come before me with their oily T-zones and random terrible days and bittersweet triumphs, the world billowing out behind them.”

“At their core, Tiger Eyes, Forever..., and Sally J. Freeman are all books about teenage issues, but to an adult reader, the parents' story lines seem to almost overshadow their daughters. I'm bringing an entirely new set of experiences to these novels now, and my reward is a fresh set of story lines that i missed the first time around. I'm sure that in twenty or thirty years I'll read these books again and completely identify with all the grandparent characteristics. That's the wonderful thing about Judy Blume - you can revisit her stories at any stage in life and find a character who strikes a deep chord of recognition. I've been there, I'm in the middle of this, someday that'll be me. The same characters, yet somehow completely different. (Beth Kendrick)”

“…Anne believed she would in the end hear the words she, like all women, longed to hear, but if he never spoke of it, she would be content with this. He loved her, and she knew it, and he was capable of such tenderness it left her trembling, overwhelmed by her own love for him.” ---The heroine, Anne, spoken of the hero, Cord”

“I twirl my ring and think about what Judy has tried so hard to say: You are not any one thing. You are many. Don't let them make you believe that this is an either/or world.- Laura Ruby”