“In the attempt to find the just measure of horror and terror, I came upon the writing of Carole Gill whose work revealed a whole new dimension to me. The figure of the gothic child was there. Stoker's horror was there. Along with the romance! At the heart of her writing one stumbles upon a genuine search for that darkness we lost with the loss of Stoker." ~Dr. Margarita Georgieva ~ Gothic Readings in The Dark”

“Our fiction is not merely in flight from the physical data of the actual world…it is, bewilderingly and embarrassingly, a gothic fiction, nonrealistic and negative, sadist and melodramatic – a literature of darkness and the grotesque in a land of light and affirmation…our classic [American] literature is a literature of horror for boys”

“I’m writing a book, one letter at a time. After thirteen days, I just finished writing “Once upon a time.” Since it’s a fairy tale, it’s obviously a romance novel, along the lines of “All Quiet on the Western Front.”

“In the fantasy I spun for myself that night before falling asleep, those deep dark secrets were revealed. That simple touch became a violent embrace, worthy of any bodice-ripper. There were a certain number of gleeful perversions committed on Ivan's battered leather sofa. And at some point in the fantasy, Ivan was a vampire, because I was sort of weird that way. He was a real, Gothic-style, Bram Stoker sort of vampire who bit people as a metaphor for having dubious-consent, alpha-male sex with them, I should point out. None of your modern, sensitive vampires for me. I appreciated the classics.”

“Ah crap!" I instantly shooed away darkness and whatnot, so that I was solid, visible me again. "Sorry, Stevie Rae. I forgot I'd gone all Bram Stoker.”

“We always watched horror movies. As a child I remember sitting up into the early hours of the morning watching horror movies with my father. I still watch horror movies and read horror novels because they remind me of "home." Nostalgia, you could say.”