“The patterns overhead shifted so that, had she an imagination prone to hysteria, she could easily convince herself something hid in the curtains above her head. She imagined a face in the shadows and folds of fabric, a face with sad, hollow eyes. The sliver of light shining through a crack in the window curtains disappeared. Shadows deepened and swirled and the face became even more uncannily real.”

“She looked up at him and her face was pale and austere in the uplight and her eyes lost in their darkly shadowed hollows save only for the glint of them and he could see her throat move in the light and he saw in her face and in her figure something he'd not seen before and the name of that thing was sorrow.”

“Beckett stepped from behind the curtain so he could see Eve’s face clearly. He knew she was beautiful, but the smile on her face for this little girl made him grab the windowsill.”

“Moonlight slipped in through the lace curtains, slicing everything with its sliver cracks. That's how I felt right now - cold and cracked and hollow and empty.”

“If shadows are curtains, mirrors are windows.”

“Then she did see it there - just a face, peering through the curtains, hanging in midair like a mask. A head-scarf concealed the hair and the glassy eyes stared inhumanly, but it wasn’t a mask, it couldn’t be. The skin had been powdered dead-white and two hectic spots of rouge centered on the cheekbones. It wasn’t a mask. It was the face of a crazy old woman. Mary started to scream, and then the curtains parted further and a hand appeared, holding a butcher’s knife. It was the knife that, a moment later, cut off her scream.And her head.”