“She was at the age when she looked as much like an overgrown boy as a girl. And on that subject why was it that the smartest people mostly missed that point? By nature all people are of both sexes. So that marriage and the bed is not all by any means. The proof? Real youth and old age. Because often old men's voices grow high and reedy and the take on a mincing walk. And old women sometimes grow fat and their voices get rough and deep and the grow dark little mustaches.”

“And she could play the Beethoven symphony any time she wanted to. It was a queer thing about this music she had heard last autumn. The symphony stayed inside her always and grew little by little. The reason was this: the whole symphony was in her mind. It had to be. She had heard every note, and somewhere in the back of her mind the whole of the music was still there just as it had been played. But she could do nothing to bring it all out again. Except wait and be ready for the times when suddenly a new part came to her. Wait for it to grow like leaves grow slowly on the branches of a spring oak tree.”

“And why did everyone persist in thinking the mute was exactly as they wanted him to be--when most likely it was all a very queer mistake?... In the battling tumult of voices he alone was silent.”

“Why was it that in cases of real love the one who is left does not more often follow the beloved by suicide? Only because the living must bury the dead? Because of the measured rites that must be fulfilled after a death? Because it is as though the one who is left steps for a time upon a stage and each second swells to an unlimited amount of time and he is watched by many eyes? Because there is a function he must carry out? Or perhaps, when there is love, the widowed must stay for the resurrection of the beloved - so that the one who has gone is not really dead, but grows and is created for second time in the soul of the living? Why?”

“That was the way things were. It was like she was mad all the time. Not how a kid gets mad quick so that soon it is all over - but in another way. Only there was nothing to be mad at. Unless the store. But the store hadn’t asked her to take the job. So there was nothing to be mad at. It was like she was cheated. Only nobody had cheated her. So there was nobody to take it out on. However, just the same she had that feeling. Cheated.”

“Her face felt like it was scattered in pieces and she could not keep it straight. The feeling was a whole lot worse than being hungry for any dinner, yet it was like that. I want--I want--I want--was all that she could think about--but just what this real want was she did no know.”

“This was her, Mick Kelly, walking in the daytime and by herself at night. In the hot sun and in the dark with all the plans and feelings. This music was her—the real plain her...This music did not take a long time or a short time. It did not have anything to do with time going by at all. She sat with her arms around her legs, biting her salty knee very hard. The whole world was this symphony, and there was not enough of her to listen... Now that it was over there was only her heart beating like a rabbit and this terrible hurt.”