“He found himself wanting to write poetry about how her blue eyes were like starlight and her hair like night, because "night" and "starlight" rhymed, but he had a feeling the poem wouldn't turn out that well...”

“When he saw her, he wanted to be with her; when he was with her, he ached to touch her; when he touched even her hand, he wanted to embrace her. He wanted to feel her against him the way he had in the attic. He wanted to know the taste of her skin and the smell of her hair. He wanted to make her laugh. He wanted to sit and listen to her talk about books until his ears fell off. But all these were things he could not want, because they were things he could not have, and wanting what you could not have led to misery and madness.”

“His steady gaze held hers. His blue eyes were very dark, uniquely so. She had known people before with blue eyes, but they had always been light blue. Will's were the color of the sky just on the edge of night.”

“The Brother's hood fell back, and his silvery hair shone out in the dim chamber like starlight. All the air rushed out of Tessa's lungs in a single instant. The Silent Brother was Jem.”

“Clary closed her eyes. Remembering the way Jace had looked at her the night she'd freed Ithuriel, she couldn't help but imagine the way he'd look at her now if he saw her trying to lie down to die on the sand beside him. He wouldn't be touched, wouldn't think it was a beautiful gesture. He'd be angry at her for giving up. He'd be so--disappointed.”

“She smiled. Her skin looked whiter than he recalled, and dark spidery veins were beginning to show beneath its surface. Her hair was still the color of spun silver and her eyes were still green as a cat’s. She was still beautiful. Looking at her, he was in London again. He saw the gaslight and smelled the smoke and dirt and horses, the metallic tang of fog, the flowers in Kew Gardens. He saw a boy with black hair and blue eyes like Alec’s, heard violin music like the sound of silver water. He saw a girl with long brown hair and a serious face. In a world where everything went away from him eventually, she was one of the few remaining constants.And then there was Camille.”

“He reassures her, but he feels her soft laughter travel through their joined hands — how did that happen? — as they make their way downstairs.And he understands. He understands why people hold hands: he’d always thought it was about possessiveness, saying This is mine. But it’s about maintaining contact. It is about speaking without words. It is about I want you with me and don’t go.He wants her in his bedroom. And not in that way — no girl has ever been in his bedroom that way. It is his private space, his sanctuary. But he wants Clary there. He wants her to see him, the reality of him, not the image he shows the world. He wants to lie down on the bed with her and have her curl into him. He wants to hold her as she breathes softly through the night; to see her as no one else sees her: vulnerable and asleep. To see her and to be seen.”