“But the thought arrived inside her like a train: Marya Morevna, all in black, here and now, was a point at which all the women she had been met—the Yaichkan and the Leningrader and the chyerti maiden; the girl who saw the birds, and the girl who never did—the woman she was and the woman she might have been and the woman she would always be, forever intersecting and colliding, a thousand birds falling from a thousand oaks, over and over.”

“On second thought she hoped she never met a woman that attractive.. If she did, she would be morally obligated to run her over with her car.." Bride”

“She was a girl and she was a queen and back in the mists she was a woman who had seized the moon from the sky and drunk its light so that she would never die. And she never had.”

“Ruth had been a girl haunted and now she would be a woman haunted. First by accident and now by choice. All of it, the story of my life and death, was hers if she chose to tell it, even to one person at a time.”

“Then right before my eyes, she flew. She actually flew like a bird. No, she flew as a young girl might fly, or a woman or a man, if people were meant to fly. She soared through the air. And that changed the course of my life forever.”

“A lot is being said today about the influence that the myths and images of women have on all of us who are products of culture. I think it has been a peculiar confusion to the girl or woman who tries to write because she is peculiarly susceptible to language. She goes to poetry or fiction looking for her way of being in the world, since she too has been putting words and images together; she is looking eagerly for guides, maps, possibilities; and over and over in the ‘words’ masculine persuasive force’ of literature she comes up against something that negates everything she is about: she meets the image of Woman in books written by men.”