“Did you see her?" the Marid said nervously, looking at her with great dark eyes. "Our daughter. Standing on the Gear. Dis you see her?""What?" said September—and then she winked out, like someone blowing out a candle, and all the field was still.”

“Because she did not look behind, September did not see the smoky-glass casket close itself primly up again. She did not see it bend in half until it cracked, and Death hop up again, quite well, quite awake, and quite small once more. She certainly did not see Death stand on her tiptoes and blow a kiss after her, a kiss that rushed through all the frosted leaves of the autumnal forest, but could not quite catch a child running as fast as she could. As all mothers know, children travel faster than kisses. The speed of kisses is, in fact, what Doctor Fallow would call a cosmic constant. The speed of children has no limits.”

“The Marquess screamed. All this time, she had been small and cowering, nothing like herself, a shadow of a shadow. But when Nod sunk his squarish teeth into her dark skin, she screamed and hissed—and then suddenly stood. She stared at the creature clamping down on her wrist. He shook his muzzle to get a better grip on her. Her spine straightened, and September saw her face settle into its old self, a face used to power, to getting her way, and never balking at any single thing. “How dare you,” the Marquess snarled. “How dare you put your teeth on me?” She clamped her hand down on his snout and tore him free of her flesh. Shadow-blood welled up and fell. The tip of his elephant-like nose stretched far longer than September would have thought possible. It sought and found her wound as she held him fast. She threw him aside like a doll; his weight shattered a crate stamped with Pluto’s Fancy Mushrooms. Dark soil spilled out. The Marquess reached down and opened the shadow of the box, her eyes blazing. She opened it as herself, as the Marquess in all her fury and beauty and terror.”

“September could see it. She did not know what is was she saw. That is the disadvantage of being a heroine, rather than a narrator. She knew only that a red light glowed and went dark, glowed and went dark.”

“September did not want to feel for the Marquess. That’s how villains get you, she knew. You feel badly for them, and next thing you know, you’re tied to train tracks. But her wild, untried heart opened up another bloom inside her, a dark branch heavy with fruit.”

“September put her hand on the grip of the Rivet Gun. She’d only just gotten it, and she’d promised to take copious notes for Belinda Cabbage, which probably did not mean handing it over to the first person who asked and taking notes on what she got for it. But more than that, she wanted it with her. It had chosen her. She felt safer with it, even though she knew it was probably quite dangerous. “No,” she said finally. “I can’t. What if I need it?” “Good girl,” said the Minotaur. “A warrior never gives up her weapon.”

“Hats change everything. September knew this with all her being, deep in the place where she knew her own name, and that her mother would still love her even though she hadn’t waved goodbye. For one day her father had put on a hat with golden things on it and suddenly he hadn’t been her father anymore, he had been a soldier, and he had left. Hats have power. Hats can change you into someone else.”