“It’s up to you. Everyone should get to choose their own way, and that’s all I mean by yelling. But I shall choose to remember you, and it would be nice if it went both ways. That’s how it generally goes in my country.” But does it? September thought. If a body is hurt, they try to forget the person who hurt them and never think about the pain again. Remembering aches, like when I remember my father. It’d be so much easier to never wonder about him. I’m sure he remembers my face, but it’s hard to remember his, when he’s been gone so long! Perhaps memory is a thing that everyone involved has to work at, like stitching up a big quilt out of everything that ever happened to you.”

“I shall do what needs doing myself, thank you,” September said finally. “And I’ll ask you kindly to stop telling me what I need and what will be wonderful just as soon as I agree with you! And most importantly to stop turning me into things I didn’t ask to be and kissing me when I didn’t ask to be kissed! You stole my First Kiss from me, Saturday. I haven’t forgiven you just because I haven’t had a shout about it yet. I’ve been busy! But I think I’m the only one who gets a say about when I get kissed or turned into a beast! Not that it wasn’t nice to be a Wyvern or a Fairy. I’m not saying it wasn’t nice.” September could not help adding the apology. But she would absolutely not go meekly along relying on everyone else to fight and speak and wish for her. She would not have things done to her when she could do them on her own! She’d done plenty—and shouldn’t Ell know that? Perhaps only her own dear red Ell would understand that she could not just let everyone else do her work for her. Her mother did not just hope some other man would come along and take up the work that needed doing in her factory. She did it herself, and so would September.”

“I can never remember my dreams," said the shadow of the Marquess quietly. "You must have had rich, tasty ones then. When you can't remember a dream, it's because a Baku ate it.”

“Just as there are different types of stars—red and white and brown and blue and dwarf and giant and all that lot—there are different types of Quests, and if we determine what type you face, we shall have a much easier time managing the whole business. We’re doing very well. Already we know that Prince Myrrh is an Endgame Object Type W—that’s Wonderful, since we have yet to see if he will be any Use in governing. He sleeps suspended in a Theseus-type narrative matrix, however he does seem to have some gravitational pull on events, which is unusual for a T-Type. After all, we still remember him even after all these years. It’s far easier to forget something than to remember it. Remembering takes all kinds of magic. No one knows who he is or what he looks like or where to find him, and yet we all know of him. We all know he sleeps in an unopenable box on an unbreakable bower. That’s a frightfully strong E.K.T. Field for one little creature!”

“...while epic fantasy is based on the fairy tale of the just war, that’s not one you’ll find in Grimm or Disney, and most will never recognize the shape of it. I think the fantasy genre pitches its tent in the medieval campground for the very reason that we even bother to write stories about things that never happened in the first place: because it says something subtle and true about our own world, something it is difficult to say straight out, with a straight face. Something you need tools to say, you need cheat codes for the human brain--a candy princess or a sugar-coated unicorn to wash down the sour taste of how bad things can really get.See, I think our culture has a slash running through the middle of it, too. Past/Future, Conservative/Liberal, Online/Offline. Virgin/Whore. And yes: Classical/Medieval. I think we’re torn between the Classical Narrative of Self and the Medieval Narrative of Self, between the choice of Achilles and Keep Calm and Carry On.The Classical internal monologue goes like this: do anything, anything, only don’t be forgotten. Yes, this one sacrificed his daughter on a slab at Aulis, that one married his mother and tore out his eyes, and oh that guy ate his kids in a pie. But you remember their names, don’t you? So it’s all good in the end. Give a Greek soul a choice between a short life full of glory and a name echoing down the halls of time and a long, gentle life full of children and a quiet sort of virtue, and he’ll always go down in flames. That’s what the Iliad is all about, and the Odyssey too. When you get to Hades, you gotta have a story to tell, because the rest of eternity is just forgetting and hoping some mortal shows up on a quest and lets you drink blood from a bowl so you can remember who you were for one hour.And every bit of cultural narrative in America says that we are all Odysseus, we are all Agamemnon, all Atreus, all Achilles. That we as a nation made that choice and chose glory and personal valor, and woe betide any inconvenient “other people” who get in our way. We tell the tales around the campfire of men who came from nothing to run dotcom empires, of a million dollars made overnight, of an actress marrying a prince from Monaco, of athletes and stars and artists and cowboys and gangsters and bootleggers and talk show hosts who hitched up their bootstraps and bent the world to their will. Whose names you all know. And we say: that can be each and every one of us and if it isn’t, it’s your fault. You didn’t have the excellence for it. You didn’t work hard enough. The story wasn’t about you, and the only good stories are the kind that have big, unignorable, undeniable heroes.”

“Very well.” The Red Wind shrugged, turning the pistol handles toward her. It didn’t matter a whit to the Wind who did the deed, as long as it was done. She seemed to look at September fully for the first time. “You know, I do believe that’s my coat,” she mused. “And that is most certainly my cat.” Iago roared—a roar of love and remembering and recognition and regret. He did not leave the Marquess’s side, but the roar said that he was sorry about it.”

“I just want to know...if I am special,’ finished September, halfway between a whisper and a squeak. ‘In stories, when someone appears in a poof of green clouds and asks a girl to go away on an adventure, it’s because she’s special, because she’s smart and strong and can solve riddles and fight with swords and give really good speeches, and . . . I don’t know that I’m any of those things. I don’t even know that I’m as ill-tempered as all that. I’m not dull or anything, I know about geography and chess, and I can fix the boiler when my mother has to work. But what I mean to say is: Maybe you meant to go to another girl’s house and let her ride on the Leopard. Maybe you didn’t mean to choose me at all, because I’m not like storybook girls. I’m short and my father ran away with the army and I wouldn’t even be able to keep a dog from eating a bird.”