“This is what comes of having a heart, even a very small and young one. It causes no end of trouble, and that’s the truth.”

“Do you know, Masha, how revelation comes? Like death. So sudden, though you knew all along it must occur. A revelation is always the end of something. It might even be cause for grief.”

“Who are you?""I am Death," said the creature. "I thought that was obvious.""But you're so small!""Only because you are small. You are young and far from your Death, September, so I seem as anything would seem if you saw it from a long way off-very small, very harmless. But I am always closer than I appear. As you grow, I shall grow with you, until at the end, I shall loom huge and dark over your bed, and you will shut your eyes so as not to see me.”

“One ought not to judge her: all children are Heartless. They have not grown a heart yet, which is why they can climb high trees and say shocking things and leap so very high grown-up hearts flutter in terror. Hearts weigh quite a lot. That is why it takes so long to grow one. But, as in their reading and arithmetic and drawing, different children proceed at different speeds. (It is well known that reading quickens the growth of a heart like nothing else.) Some small ones are terrible and fey, Utterly Heartless. Some are dear and sweet and Hardly Heartless At All. September stood very generally in the middle on the day the Green Wind took her, Somewhat Heartless, and Somewhat Grown.”

“The trouble was, September didn’t know what sort of story she was in. Was it a merry one or a serious one? How ought she to act? If it was merry, she might dash after a Spoon and it would all be a grand adventure, with funny rhymes and somersaults and a grand party at the end with red lanterns. But if it was a serious tale, she might have to do something important, something involving with snow and arrows and enemies.”

“Shows what you know, sunny-girl! I’m sure you’ve heard people talk about their Heart’s Desire—well that’s a load of rot. Hearts are idiots. They’re big and squishy and full of daft dreams. They flounce off to write poetry and moon at folk who aren’t worth the mooning. Bones are the ones that have to make the journey, fight the monster, kneel before whomever is big on kneeling these days. Bones do the work for the heart’s grand plans. Bones know what you need. Hearts only know want. I much prefer to deal with children, boggans, and villains, who haven’t got hearts to get in the way of the very important magic of Getting-Things-Done.”

“September let go a long-held breath. She stared into the roiling black-violet soup, thinking furiously. The trouble was, September didn’t know what sort of story she was in. Was it a merry one or a serious one? How ought she to act? If it were merry, she might dash after a Spoon, and it would all be a marvelous adventure, with funny rhymes and somersaults and a grand party with red lanterns at the end. But if it were a serious tale, she might have to do something important, something involving, with snow and arrows and enemies. Of course, we would like to tell her which. But no one may know the shape of the tale in which they move. And, perhaps, we do not truly know which sort of beast it is, either. Stories have a way of changing faces. They are unruly things, undisciplined, given to delinquency and the throwing of erasers. This is why we must close them up into thick, solid books, so they cannot get out and cause trouble.”