“When the world changes, it stashes us away where we can't make it run the other way again.”

“That’s what happens to the old guard, my pup. You can always count on it. We who serve, we who make the world run. When the world changes, it stashes us away where we can’t make it run the other way again.”

“Most of them... most of us never figure it out. Bad dream, they think, or good one. Funny rash, never really goes away, but Doc says it's fine, nothing to worry about. Why dwell on it? But some people, they just can't let it go... Some people drink themselves out of school trying to find it again, trolling through bars where the shadows are so greasy they leave trails on the walls, just to find a way in, a way through. Some people forget too that you're supposed to stop sleeping, you're supposed to have a life in the sun.”

“A Fairy must make her own way in the world, for the world will never make way for her. That, incidentally, is the First Theorem of Questing Physicks, which you’ll learn all about when you’re older and don’t care anymore.”

“Wishes of one's old life wither and shrivel like old leaves if they are not replaced with new wishes when the world changes. And the world always changes. Wishes get slimy, and their colors fade, and soon they are just mud, like all the rest of the mud, and not wishes at all, but regrets. The trouble is, not everyone can tell when they ought to launder their wishes. Even when one finds oneself in Fairyland and not at home at all, it is not always so easy to remember to catch the world in it's changing and change with it.”

“For the world has chosen and it says: make me whole. Think of us as a kind of haggard Calypso, offering everything, asking the world to choose anew. But it’s a lie, really. There is only one choice and it is always the same. Only in Pentexore was any other ever possible. The world always says: I choose to wither and die if it means love and tapestries and sons and suitors, if it means stories and wars and a thousand ships launching. And we only give the world what it wants.”

“Oh, Marya Morevna! Do you know how the church-folk call me, me and my daughter Gamayun, when they paint us on their ceilings? They call us archangels, and say that we live in heaven, where no vine of sorrow or memory grows. That is where I sent you, not to heaven—tscha! I know nothing of that place. But to a place like the ceiling of a church.”