“She closed Dan's door and walked down the hall to her room. He makes a good boyfriend, she repeated to herself. What the hell was that suppose to mean? She didn't just want a good boyfriend. She wanted that thing Gustav Klimt had captured so perfectly in The Kiss. That radiant, electric, hold-me-tight-so-I don't-fall-from-up-here-in-the-sky feeling of being in love.Well, don't we all, sweetie?”

“Give a girl a boyfriend and she becomes a total expert on relationships”

“But I like labels,” she admitted. “They make everything so much clearer.” Her sister Bree always told her she liked things to be wrapped up too neatly, and that part of the point of life was its messiness, its refusal to be wrapped up. Brett always took the advice with a grain of salt—it was probably Bree’s excuse for a messy room, or for breaking up with boys she’d dated without actually telling them.”

“That “relationship” was a perfect example of Callie convincing herself of something that didn’t really exist. She’d believed in unicorns until she was eleven, despite all evidence to the contrary, simply because she’d wanted to.”

“Not that she didn't love almost every boy she'd ever met, and not that every boy in the world didn't totally love her. It was impossible not to. But she wanted someone to love her and shower her with attention the way only a boy who was completely in love with her could. The rare sort of love. True love. The kind of love she'd never had.”

“Instead, she poured herself another drink. Tinsley was horrible, yes, but at least she was open about it. Callie couldn’t help feeling like Brett and Jenny were just as bad … just more secretive. But maybe it was just the wine talking. Maybe.”

“Blair liked to think of herself as a hopeless romantic in the style of old movie actresses like Audrey Hepburn and Marilyn Monroe. She was always coming up with plot devices for the movie she was starring in at the moment, the movie that was her life.”