“Was her whole life going to be like this now, avoiding certain songs or music that reminded her of her mistakes? Billie Holiday made her think of Eric Dalton; Iron & Wine was Jeremiah; and if things didn’t work out with Kara, she’d never be able to listen to Bob Dylan again. By the time she reached her twenties, she’d be a huge, lumbering mass of musical baggage.”

“But I like labels,” she admitted. “They make everything so much clearer.” Her sister Bree always told her she liked things to be wrapped up too neatly, and that part of the point of life was its messiness, its refusal to be wrapped up. Brett always took the advice with a grain of salt—it was probably Bree’s excuse for a messy room, or for breaking up with boys she’d dated without actually telling them.”

“Tinsley hated the thought of people greeting her with “Where's Julian?” It was like once you were a couple, you ceased to exist as an individual. It made her a little sick to her stomach.”

“That “relationship” was a perfect example of Callie convincing herself of something that didn’t really exist. She’d believed in unicorns until she was eleven, despite all evidence to the contrary, simply because she’d wanted to.”

“Not that she didn't love almost every boy she'd ever met, and not that every boy in the world didn't totally love her. It was impossible not to. But she wanted someone to love her and shower her with attention the way only a boy who was completely in love with her could. The rare sort of love. True love. The kind of love she'd never had.”

“Blair liked to think of herself as a hopeless romantic in the style of old movie actresses like Audrey Hepburn and Marilyn Monroe. She was always coming up with plot devices for the movie she was starring in at the moment, the movie that was her life.”

“It's fine.” Brett shrugged, suppressing the urge to say something like, “The drugs are okay, but the sex is lousy.” But she didn't want her suddenly nun-like sister to have a heart attack before Brett got a chance to pump her for information.”