“Interview on The Skiffy and Fanty Show 2010. In response to query that young adults may not be open to the nuances/realism in Moorehawke:‘(In fact)young adult readers seem to (be very inclined)to reading the (Moorehawke) books thematically. Some (not all) adult reviewers ... tend to be very plot oriented. Because the books are a slow release of information and very character driven ... (they) don’t reward impatient reading ... but young adults seem to be very patient readers. They’re very analytical as well. I get very analytical responses from my young adult readers.”

“Do you have an audience in mind when writing? (March 2010 Bookgeeks interview)In terms of story, the only audience I have in mind is me. I’m very much aware that I can’t please everyone when it comes to story, so I might as well try to please myself. But in terms of communication with the reader, I am very aware of the audience. Readers can’t hear my tone of voice or watch my expressions; a sheet of white paper and a series of little black marks is all they have – and via that sheet of paper and series of little black marks I need to convey an entire universe, I need to make characters who breath. I can’t do that without bearing the audience in mind.”

“I am trying to come up with some "adult" reads, but I mostly read young adult fiction (my job), which, by the way is excellent. I will post about some of my favorites that should appeal to adult readers”

“(CBI lecture, Dublin, 2008. Speaking on the challenges presented by The Moorehawke Trilogy to the YA reader)You can't choose any of these characters and say, 'Yes! I'm completely on your side. You are the good guy! You are the one I agree with.' Because at some stage along the way every single one of these characters will let you down. They may not want to. They may have no choice. But they will let you down.”

“For young adults,the growth from silly to serious can be very fast, indeed.”

“Very young children often accept the paranormal as “normal” until adults squeeze it out them.”

“The fact that at the moment the distinction is being made, a young adult, as opposed to an adult, is the one reading it. In other words, I don’t entirely believe in the distinction. A great book is a great book, and it’s impossible to say what part of a person is going to connect to it.”