“Each of us, deep down, believes that the whole world issues from his own precious body, like images projected from a tiny slide onto an earth-sized screen. And then, deeper down, each of us knows he’s wrong.”

“Schartz would never live in a world so open. His would always be occluded by the fact that his understanding and his ambition outstripped his talent. He'd never be as good as he wanted to be, not at baseball, not at football, not at reading Greek or taking the LSAT. And beyond all that he'd never be as _good_ as he wanted to be. He'd never found anything inside himself that was really good and pure, that wasn't double-edged, that couldn't just as easily become its opposite. He had tried and failed to find that thing and he would continue to try and fail, or else he would leave off trying and keep on failing. He had no art to call his own. He knew how to motivate people, manipulate people, move them around, this was his only skill. He was like a minor Greek god you've barely heard of, who sees through the glamour of the armor and down into the petty complexity of each soldier's soul. And in the end is powerless to bring about anything resembling his vision. The loftier, arbitrary gods intervene.”

“It was easy enough to write a sentence, but if you were going to create a work of art, the way Melville had, each sentence needed to fit perfectly with the one that preceded it, and the unwritten one that would follow. And each of these sentences needed to square with the ones on either side, so that three became five and five became seven, seven became nine, and whichever sentence he was writing became the slender fulcrum on which the the whole precarious edifice depended. That sentence could contain anything, anything, and so it promised the kind of absolute freedom that, to Affenlight's mind, belonged to the artist and the artist alone.”

“Heat radiated off Henry's face. Salty snot ran down his upper lip. A majestic fart propelled him to the top of Section 12, just at the springing of the stadium's curve. He slapped the sign as if high-fiving a teamate. It gave back a game shudder. He was crusing now, darkness be damned, stripping off his sweatshirt and his long underwear top without breaking stride.”

“After those four years, he returned to the Midwest. He'd turned twenty-five, the Age of Unfolding, and it was time to write a novel, the way his hero had. He moved to a cheap apartment in Chicago and set to work, but even as the pages accumulated, despair set in. It was easy enough to write a sentence, but if you were going to create a work of art, the way Melville had, each sentence needed to fit perfectly with the one that preceded it, and the unwritten one that would follow. And each of those sentences needed to square with the ones on either side, so that three became five and five became seven, seven became nine, and whichever sentence he was writing became the slender fulcrum on which the whole precarious edifice depended. That sentence could contain anything, anything, and so it promised the kind of absolute freedom that, to Affenlight's mind, belonged to the artist and the artist alone. And yet that sentence was also beholden to the book's very first one, and its last unwritten one, and ever sentence in between. Every phrase, every word, exhausted him.”

“Why would anyone want to fight Henry?" Loondorf looked hurt."Because he's a ballplayer.""So?""So he's a baller. He's got cash, chains, crisp clothes. He's got a hat that says Yankees and it's the real deal, yo. He didn't buy it at no yard sale. He walks into a bar and girls are like damn. Dudes get jealous. They want to get in his face, prove they're somebody.""They want to take down the man," Steve said helpfully.”

“He already knew he could coach. All you had to do was look at each of your players and ask yourself: What story does this guy wish someone would tell him about himself? And then you told the guy that story.”