“Lydia came back to bed. We didn't kiss each other. We weren't going to have sex. I felt weary. I listened to the crickets. I don't know how much time went by. I was almost asleep, not quite, when Lydia suddenly sat straight up in bed. And she screamed. It was a loud scream. "What is it?" I asked. "Be quiet." I waited. Lydia sat there without moving, for what seemed to be about ten minutes. Then she fell back on her pillow. "I saw God," she said, "I just saw God." "Listen, you bitch, you are going to drive me crazy!”

“Lydia screamed. The car began to swerve all over the street. "YOU SON-OF-A-BITCH! I'LL KILL YOU!" She crossed the double yellow line at high speed, directly into oncoming traffic. Horns sounded and cars scattered. We drove on against the flow of traffic, cars approaching us peeling off to the left and right. Then just as abruptly Lydia swerved back across the double line into the lane we had just vacated. Where are the police? I thought. Why is it that when Lydia does something the police become nonexistent?”

“Her violence frightened me. She always claimed that I was the jealous one, and I was often jealous, but when I saw things working against me I simply became disgusted and withdrew. Lydia was different. She reacted. She was the Head Cheerleader at the Game of Violence.”

“It was sad, it was sad, it was sad. When Betty came back we didn't sing or laugh, or even argue. We sat drinking in the dark, smoking cigarettes, and when we went to sleep, I didn't put my feet on her body or she on mine like we used to. We slept without touching. We had both been robbed.”

“I met Betty on the street. "I saw you with that bitch a while back. She's not your kind of woman.""None of them are.”

“In the old days, before I was married, or knew a lot of women, I would just pull down all the shades and go to bed for three or four days. I'd get up to shit. I'd eat a can of beans, go back to bed, just stay there for three or four days. Then I'd put on my clothes and I'd walk outside, and the sunlight was brilliant, and the sounds were great. I felt powerful, like a recharged battery. But you know the first bring-down? The first human face I saw on the sidewalk, I lost half my charge right there.”

“I see you drinking at a fountain with tinyblue hands, no, your hands are not tinythey are small, and the fountain is in Francewhere you wrote me that last letter andI answered and never heard from you again.you used to write insane poems aboutANGELS AND GOD, all in upper case, and youknew famous artists and most of themwere your lovers, and I wrote back, it’ all right,go ahead, enter their lives, I’ not jealousbecause we’ never met. we got close once inNew Orleans, one half block, but never met, nevertouched. so you went with the famous and wroteabout the famous, and, of course, what you found outis that the famous are worried abouttheir fame –– not the beautiful young girl in bedwith them, who gives them that, and then awakensin the morning to write upper case poems aboutANGELS AND GOD. we know God is dead, they’ toldus, but listening to you I wasn’ sure. maybeit was the upper case. you were one of thebest female poets and I told the publishers, editors, “ her, print her, she’ mad but she’magic. there’ no lie in her fire.” I loved youlike a man loves a woman he never touches, onlywrites to, keeps little photographs of. I would haveloved you more if I had sat in a small room rolling acigarette and listened to you piss in the bathroom,but that didn’ happen. your letters got sadder.your lovers betrayed you. kid, I wrote back, alllovers betray. it didn’ help. you saidyou had a crying bench and it was by a bridge andthe bridge was over a river and you sat on the cryingbench every night and wept for the lovers who hadhurt and forgotten you. I wrote back but neverheard again. a friend wrote me of your suicide3 or 4 months after it happened. if I had met youI would probably have been unfair to you or youto me. it was best like this.”