“I do believe in an everyday sort of magic -- the inexplicable connectedness we sometimes experience with places, people, works of art and the like; the eerie appropriateness of moments of synchronicity; the whispered voice, the hidden presence, when we think we're alone.”

“I don't think the world is the way we like to think it is. I don't think it's one solid world, but many, thousands upon thousands of them--as many as there are people--because each person perceives the world in his or her own way; each lives in his or her own world. Sometimes they connect, for a moment, or more rarely, for a lifetime, but mostly we are alone, each living in our own world, suffering our small deaths.”

“It's all a matter of paying attention, being awake in the present moment, and not expecting a huge payoff. The magic in this world seems to work in whispers and small kindnesses.”

“One of my favourite things to do when I write is to bring a sense of wonder to a normal everyday setting... Yes, there are magical elements, but there are also very down-to-earth elements and often what shines through isn’t the magic, but the lanterns that the characters light against the dark... If you substitute the words “fairy tale” or “myth” for “fantasy,” the reason I use these elements in my own work is that they create resonances that illuminate solutions to the real world struggle without the need for an authorial voice to point them out. Magic never solves the problems–we have to do that on our own–but in fiction it allows the dialogue to have a much more organic approach than the talking heads one can encounter in fiction that doesn’t utilize the same tools.[from the interview Year’s Best 2012: Charles de Lint on “A Tangle of Green Men”]”

“Gina always believed there was magic in the world. "But it doesn't work in the way it does in fairy tales," she told me. "It doesn't save us. We have to save ourselves.”

“People want to know those details. They think it gives them greater insight into a piece of art, but when they approach a painting in such a manner, they are belittling both the artist’s work and their own ability to experience it. Each painting I do says everything I want to say on its subject and in terms of that painting, and not all the trivia in the world concerning my private life will give the viewer more insight into it than what hangs there before their eyes. Frankly, as far as I’m concerned, even titling a work is an unnecessary concession.”

“Most times we only see things for the way we are. But we're good at lying to ourselves. Sometimes we need somebody who's not living in our skin to point out how things really are.”