“Like legend and myth, magic fades when it is unused -- hence all the old tales of elfin kingdoms moving further and further away from our world, or that magical beings require our faith, our belief in their existence, to survive. That is a lie. All they require is our recognition.”

“One of my favourite things to do when I write is to bring a sense of wonder to a normal everyday setting... Yes, there are magical elements, but there are also very down-to-earth elements and often what shines through isn’t the magic, but the lanterns that the characters light against the dark... If you substitute the words “fairy tale” or “myth” for “fantasy,” the reason I use these elements in my own work is that they create resonances that illuminate solutions to the real world struggle without the need for an authorial voice to point them out. Magic never solves the problems–we have to do that on our own–but in fiction it allows the dialogue to have a much more organic approach than the talking heads one can encounter in fiction that doesn’t utilize the same tools.[from the interview Year’s Best 2012: Charles de Lint on “A Tangle of Green Men”]”

“It's all a matter of paying attention, being awake in the present moment, and not expecting a huge payoff. The magic in this world seems to work in whispers and small kindnesses.”

“It's easy to believe in magic when you're young. Anything you couldn't explain was magic then. It didn't matter if it was science or a fairy tale. Electricity and elves were both infinitely mysterious and equally possible - elves probably more so.”

“Gina always believed there was magic in the world. "But it doesn't work in the way it does in fairy tales," she told me. "It doesn't save us. We have to save ourselves.”

“Life's an act of magic, too. Claire Hamill sings a line in one of her songs that really sums it up for me: 'If there's no magic, there's no meaning.' Without magic- or call it wonder, mystery, natural wisdom- nothing has any depth. It's all just surface. You know: what you see is what you get. I honestly believe there's more to everything than that, whether it's a Monet hanging in a gallery or some old vagrant sleeping in an alley.”

“Sara Kendell once read somewhere that the tale of the world is like a tree. The tale, she understood, did not so much mean the niggling occurrences of daily life. Rather it encompassed the grand stories that caused some change in the world and were remembered in ensuing years as, if not histories, at least folktales and myths. By such reasoning, Winston Churchill could take his place in British folklore alongside the legendary Robin Hood; Merlin Ambrosius had as much validity as Martin Luther. The scope of their influence might differ, but they were all a part of the same tale.”