“People want to know those details. They think it gives them greater insight into a piece of art, but when they approach a painting in such a manner, they are belittling both the artist’s work and their own ability to experience it. Each painting I do says everything I want to say on its subject and in terms of that painting, and not all the trivia in the world concerning my private life will give the viewer more insight into it than what hangs there before their eyes. Frankly, as far as I’m concerned, even titling a work is an unnecessary concession.”

“Keith Haring wrote " You see that's why I work like a dog and I worked like a dog all my life. I am not interested in the academic status of what I am doing because my problem is my own transformation. Thats the reason also why, when people say. " Well you thought this a few years ago and now you say something else," my answer is[laughter]" well, do you think that I have worked like that all those years and not be changed?" This transformation of ones self by ones own knowledge is,I think something rather close to the aesthetic experience. Why should a painter work if he is not transformed by his own painting.”

“Sometimes, dear brother, I know so well what I want. I am quite able to do without God, both in my life and in my painting, but what I cannot do without, unwell as I am, is something greater than myself, which is my life, the power to create.”

“[Like they say,] small world, but I wouldn't want to paint it.”

“Sure, I can talk like you, but I choose not to, It's like an art, you know? Picasso had to prove to the world he could paint the right way, before he goes putting both eyes on the side of a face... See if you paint wrong because that's the best you can do, you just a chump. But you do it because you want to? Then you're an artist...You can take that to the grave and dig it up when you need it.”

“But I do agree with Mr Findlay about one thing: I am desperate to paint, so it’s probably time to start. Because you can plan all you want, but most of the time, the ideas come when you’re working. And no matter how much you try to control it, you’ll still paint it wrong before you paint it right.”