“She hoped he was running to his red deer woman, and that when he tapped on the door of her heart, she'd open it wide and let him in.”

“She wanted to tell him what happened wasn't really his fault, but she knew that wasn't the way this kind of guilt worked. Intellectually, he already knew that. It was his emotions that were tripping him up. The tangle of love and memory and what might have been.”

“He had too much cat in his blood - a deep-rooted feline twitch that would travel the length of his nerves to tickle his mind at the faintest sign of a mystery, no matter how small. He could no more let a riddle go unsolved than he could pass by the perfect length of colourful wire without picking it up.”

“From the first time he’d met her, he’d sensed an air of contradiction about her. She was very much a woman, but still retained a waiflike quality. She could be brash, and at times deliberately suggestive, yet she was painfully shy. She was incredibly easy to get along with, yet she had few friends. She was a talented artist in her own right, but so self-conscious about her work that she rarely completed a piece and preferred to work with other people’s art and ideas...”

“The thing to remember when you're writing," he said, " is, it's not whether or not what you put on paper is true. It's whether it wakes a truth in your reader. I don't care what literary device you might use, or belief systems you tap into--if you can make a story true for the reader, if you can give them a glimpse into another way of seeing the world, or another way that they can cope with their problems, then that story is a succes.”

“When you're touched by magic, nothing's ever quite the same again. What really makes me sad is all those people who never have the chance to know that touch. They're too busy, or they just don't hold with make-believe, so they shut the door without really knowing it was there to be opened in the first place.”

“The moon likes secrets," Meran said. "And secret things. She lets mysteries bleed into her shadows and leaves us to ask whether they originated from otherworlds, or from our own imaginations.”