“She knew this music--knew it down to the very core of her being--but she had never heard it before. Unfamiliar, it had still always been there inside her, waiting to be woken. It grew from the core of mystery that gives a secret its special delight, religion its awe. It demanded to be accepted by simple faith, not dissected or questioned, and at the same time, it begged to be doubted and probed.”

“In her enthusiasms she had always looked for something tangible: she had always loved church for its flowers, music for its romantic words, literature for its power to stir the passions and she rebelled before the mysteries of faith just as she grew ever more restive under discipline, which was antipathetic to her nature.”

“And she could play the Beethoven symphony any time she wanted to. It was a queer thing about this music she had heard last autumn. The symphony stayed inside her always and grew little by little. The reason was this: the whole symphony was in her mind. It had to be. She had heard every note, and somewhere in the back of her mind the whole of the music was still there just as it had been played. But she could do nothing to bring it all out again. Except wait and be ready for the times when suddenly a new part came to her. Wait for it to grow like leaves grow slowly on the branches of a spring oak tree.”

“Before, there had been this small, shiny thing inside her that kept her immune from what was happening, and now she knew it had only been her ignorance, and she felt herself falling into a deep, dark place.”

“To her core, she suddenly knew she was not prepared to die at the hands of this worm. She had a betrothal ball to attend, wedding vows to declare, and a good man to love.”

“Finally Lucinda grew used to her silence, and began not only to accept it, but treasure it. She too grew quiet. For the first time she heard the music of her heart.”