“Cramped in all kinds of dim cupboards and hutches at Tellson's, the oldest of men carried on the business gravely. When they took a young man into Tellson's London house, they hid him somewhere till he was old. They kept him in a dark place, like a cheese, until he had the full Tellson flavour and blue-mould upon him. Then only was he permitted to be seen, spectacularly poring over large books, and casting his breeches and gaiters into the general weight of the establishment.”

Charles Dickens

Charles Dickens - “Cramped in all kinds of dim cupboards...” 1

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“When they took a young man into Tellson's London house, they hid him somewhere till he was old. They kept him in a dark place, like a cheese, until he had the full Tellson flavour and blue-mould upon him. Then only was he permitted to be seen, spectacularly poring over large books, and casting his breeches and gaiters into the general weight of the establishment.”

Charles Dickens
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“Laura's problem was that she kept casting men in roles they weren't suited for. Like lovely Josh, casting him in the role of decent, kind house-husband, the perfect partner, the modern male, when - what was it that she'd actually loved about him, really? Laura tried to think, and couldn't come up with an answer. He was a great man - kind, funny, clever, hard working - but there was no way he was the man for her, she realised now. Why hadn't she seen it?”

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“She had been wrong to think it wouldn't matter that much to him, yes, he took her for granted, of course he did , but he took her for granted - not like an old coat in the corner of a dark cupboard, as she'd put it to herself , but like the very air that he breathed .”

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“All this occupied his thoughts when he revisited the places of his war. Tramping over soil fed by the blood of men he had led and whose faces now stirred in his memory, it was his wife's response that came - as if in compensation for too little said before - when he wondered why his wandering had led him back to these old battlefields: in his sixty-ninth year he was establishing his survivor's status.”

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“He found something mean in the pretty furniture which he had bought for his house on the hire system. Annie had chosen it herself and it reminded him of her. It too was prim and pretty. A dull resentment against his life awoke within him. Could he not escape from his little house? Was it too late for him to try to live bravely like Gallaher? Could he go to London? There was furniture still to be paid for. If he could only write a book and get it published, that might open the way for him.”

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