“We are thankful to come here for rest, sir," said Jenny. "You see, you don't know what the rest of this place is to us; does he, Lizzie? It's the quiet, and the air.""The quiet!" repeated Fledgeby, with a contemptuous turn of his head towards the City's roar. "And the air!" with a "Poof!" at the smoke."Ah!" said Jenny. "But it's so high. And you see the clouds rushing on above the narrow streets, not minding them, and you see the golden arrows pointing at the mountains in the sky from which the wind comes, and you feel as if you were dead."The little creature looked above her, holding up her slight transparent hand."How do you feel when you are dead?" asked Fledgeby, much perplexed."Oh, so tranquil!" cried the little creature, smiling. "Oh, so peaceful and so thankful! And you hear the people who are alive, crying, and working, and calling to one another down in the close dark streets, and you seem to pity them so! And such a chain has fallen from you, and such a strange good sorrowful happiness comes upon you!"Her eyes fell on the old man, who, with his hands folded, quietly looked on."Why it was only just now," said the little creature, pointing at him, "that I fancied I saw him come out of his grave! He toiled out at that low door so bent and worn, and then he took his breath and stood upright, and looked all round him at the sky, and the wind blew upon him, and his life down in the dark was over!—Till he was called back to life," she added, looking round at Fledgeby with that lower look of sharpness. "Why did you call him back?""He was long enough coming, anyhow," grumbled Fledgeby."But you are not dead, you know," said Jenny Wren. "Get down to life!"Mr Fledgeby seemed to think it rather a good suggestion, and with a nod turned round. As Riah followed to attend him down the stairs, the little creature called out to the Jew in a silvery tone, "Don't be long gone. Come back, and be dead!" And still as they went down they heard the little sweet voice, more and more faintly, half calling and half singing, "Come back and be dead, Come back and be dead!”

“I tell you what, Mr. Fledgeby,' said Lammle, advancing on him. 'Since you presume to contradict me, I'll assert myself a little. Give me your nose!'Fledgeby covered it with his hand instead, and said, retreating, 'I beg you won't!'... 'Say no more, say no more!' Mr. Lammle repeated in a magnificent tone. 'Give me your'--Fledgeby started-- 'hand.”

“Old Marsh wore a look of sorrow upon his face. “You called him, miss. You called him. You must send him back now. You must send him back. He won’t be the brother you remember. It ain’t his spirit comes back. I told you that. It’s the soul of death comes back, that’s what it is, miss. The soul of death in disguise like your brother. Only the one who called him can send him back. I saw the bird in the cellars, in the bowl, miss. I know what you done. I know what you called.”

“When I came back from lunch and found out you'd been reassigned to Nick, I went up to be certain that you were doing all right. Mary told me that you'd just gone into Nick's office, so I opened the door and looked in to see if you needed rescuing. There you were-smiling angelically at him while you gave him messages from other women and turned down his offer of an 'affair.'"Resting his head against the back of his chair, Jim closed his eyes and laughed. "Oh Lauren, you were magnificent! I was just about to leave when you pushed him too far and told him you'd call him when your daughter was of age, so that he could, er, initiate her,as I gather he initiated you?”

“She tries to move toward him, but the path is covered with gravel, which slows her down. Then he turns his head and sees her. He puts down his brush and comes closer, and the closer he comes, the closer he comes, the happier she is she didn't put on mascara, she doesn't want to cry but she can't help it, she can hardly see him through the welling tears. She quickly wipes her eyes. She looks at him. He's standing two steps away. She could stretch out her hand, he'd come even closer, she could touch him. He's the same, thinner, the most beautiful man in the world, with the eyes Germain Pire described to her, a very pale blue, almost gray, quiet and gentle, with something struggling in their depths, a child, a soul of agony. His voice hasn't changed.The first thing she hears him say--it's terrible--he asks her, "You can't walk?" She shakes her head. He sighs, goes back to his painting. She pushes the wheels, moves toward the shed. He looks over at her again, he smiles. "You want to see what I'm doing?" She nods her head. "I'll show you in a little bit," he says. "But not right now, it's not finished."So while she waits, she sits up straight in her scooter, she crosses her hands in her lap, she looks at him. Yes, she looks at him, she looks at him, life is long and can still carry a great deal more on its back.She looks at him.”

“He's come on foot then, all the way from 13. Maybe they kicked him out or maybe he just couldn't stand it there without her, so he came looking. "It was the waste of a trip. She's not here," I tell him. Buttercup hisses again. "She's not here. You can hiss all you like. You won't find Prim." At her name, he perks up. Raises his flattened ears. Begins to meow hopefully. "Get out!" He dodges the pillow I throw at him. "Go away! There's nothing left for you here!" I start to shake, furious with him. "She's not coming back! She's never ever coming back here again!" I grab another pillow and get to my feet to improve my aim. Out of nowhere, the tears begin to pour down my cheeks. "She's dead." I clutch my middle to dull the pain. Sink down on my heels, rocking the pillow, crying. "She's dead, you stupid cat. She's dead.”