“In the hovering between sleep and wakefulness, lucid but dreaming, Luce's mind got away from her, and all kinds of empty shit she had meant to put entirely behind her forever swam up and lived in her head again.”
“She fit her head under his chin, and he could feel her weight settle into him. He held her tight and words spilled out of him without prior composition. And this time he made no effort to clamp them off. He told her about the first time he had looked on the back of her neck as she sat in the church pew. Of the feeling that had never let go of him since. He talked to her of the great waste of years between then and now. A long time gone. And it was pointless, he said, to think how those years could have been put to better use, for he could hardly have put them to worse. There was no recovering them now. You could grieve endlessly for the loss of time and the damage done therein. For the dead, and for your own lost self. But what the wisdom of the ages says is that we do well not to grieve on and on. And those old ones knew a thing or two and had some truth to tell, Inman said, for you can grieve your heart out and in the end you are still where you are. All your grief hasn't changed a thing. What you have lost will not be returned to you. It will always be lost. You're left with only your scars to mark the void. All you can choose to do is go on or not. But if you go on, it's knowing you carry your scars with you. Nevertheless, over all those wasted years, he had held in his mind the wish to kiss her on the back of her neck, and now he had done it. There was a redemption of some kind, he believed, in such complete fulfillment of a desire so long deferred.”
“She had been struck by the figure of a woman's back in a mirror. She stopped and looked. The dress the figure wore was the color called ashes of roses, and Ada stood, held in place by a sharp stitch of envy or th woman's dress and the fine shape of her back and her thick dark hair and the sense of assurance she seemed to evidence in her very posture.Then Ada took a step forward, and the other woman did too, and Ada realized that it was herself she was admiring, the mirror having caught the reflection of an opposite mirror on the wall behind her. The light of the lamps and the tint of the mirrors had conspired to shift colors, bleaching mauve to rose. She climbed the steps to her room and prepared for bed, but she slept poorly that night, for the music went on until dawn. As she lay awake she thought how odd it had felt to win her own endorsement.”
“She wondered if literature might lose some of its interest when she reached an age or state of mind where her life was set on such a sure course that the things she read might stop seeming so powerfully like alternate directions for her being.”
“When Luce did look in the mirror, she thought she might still be sort of pretty, if you went by what most people thought was pretty. And if that's the way you went, you had your own problems. It wasn't like being pretty was an accomplishment, and it would go away in time. So it would be a mistake to get too hung up on it.”
“When Ada disappeared into the trees, it was like a part of the richness of the world had gone with her. He had been alone in the world and empty for so long. But she filled him full, and so he believed everything that had been taken out of him might have been for a purpose. To clear space for something better. -Cold Mountain”
“A song went around from fiddler to fiddler and each one added something and took something away so that in time the song became a different thing from what it had been, barely recognizable in either tune or lyric. But you could not say the song had been improved, for as was true of all human effort, there was never advancement.Everything added meant something lost, and about as often as not the thing lost was preferable to the thing gained, so that over time we'd be lucky if we just broke even.Any thought otherwise was empty pride.”