“The time of minor poets is coming. Good-by Whitman, Dickinson, Frost. Welcome you whose fame will never reach beyond your closest family, and perhaps one or two good friends gathered after dinner over a jug of fierce red wine… While the children are falling asleep and complaining about the noise you’re making as you rummage through the closets for your old poems, afraid your wife might’ve thrown them out with last spring’s cleaning. It’s snowing, says someone who has peeked into the dark night, and then he, too, turns toward you as you prepare yourself to read, in a manner somewhat theatrical and with a face turning red, the long rambling love poem whose final stanza (unknown to you) is hopelessly missing.”

“They exit one by one, or sometimes two by two. You scatter pieces of them on the snow in the woods and then run away as fast as you can, and then you turn and run back towards them, once they're beyond your reach.”

“And if out of this turning-within, out of this immersion in your own world, poems come, then you will not think of asking anyone whether they are good or not. Nor will you try to interest magazines in these works: for you will see them as your dear natural possession, a piece of your life, a voice from it. A work of art is good if it has arisen out of necessity. That is the only way one can judge it.”

“You can’t have the money.” Kate says. The dark red wine has already spread through the cloth, tendrils reaching out through the fibers from the pool. That same pattern, again. “But if you move fast, you can have your freedom.”

“You must find a boy your own age. Someone mild and beautiful to be your lover. Someone who will tremble for your touch, offer you a marguerite by its long stem with his eyes lowered. Someone whose fingers are a poem.”

“As long as what you are afraid of is something evil, you may still hope that the good may come to your rescue. But suppose you struggle through to the good and find that it is also dreadful? How if food itself turns out to be the very thing you can’t eat and home the very place you can’t live, and your very comforter the person who makes you uncomfortable. Then, indeed, there is no rescue possible: the last card has been played.”