“As a confirmed melancholic, I can testify that the best and maybe only antidote for melancholia is action. However, like most melancholics, I suffer also from sloth.”
“Melancholia is, I believe, a musical problem: a dissonance, a change in rhythm. While on the outside everything happens with the vertiginous rhythm of a cataract, on the inside is the exhausted adagio of drops of water falling from time to tired time. For this reason the outside, seen from the melancholic inside, appears absurd and unreal, and constitutes ‘the farce we all must play’. But for an instant – because of a wild music, or a drug, or the sexual act carried to its climax – the very slow rhythm of the melancholic soul does not only rise to that of the outside world: it overtakes it with an ineffably blissful exorbitance, and the soul then thrills animated by delirious new energies”
“Musical myths speak with authority about our society, its fragility, its strengths, its desires, and its limits. Music becomes a wise version of the utopian messenger, pleasing us with his account of an ideal land but also warning us, in his tones, of all the dangers.”
“There was something so best-musical-ever when people screamed and begged for mercy, and she could listen to a good musical all day.”
“There is always something melancholic about the empty chairs.”