“I returned to my book—Bewick’s History of British Birds: the letterpress thereof I cared little for, generally speaking; and yet there were certain introductory pages that, child as I was, I could not pass quite as a blank. They were those which treat of the haunts of sea-fowl; of “the solitary rocks and promontories” by them only inhabited; of the coast of Norway, studded with isles from its southern extremity, the Lindeness, or Naze, to the North Cape—”

“Desire overwhelmed me once she had gone. But it was not a desire for Homer. I had to return to the library. I could already smell the books' muskiness and in my mind turned over pages with as many differing textures as a forest; pages that were brittle and fragile which had to be coaxed to turn; pages that were soft and scented, presenting their words as if the were a gift in the palm of a hand, and pages that fell open heavily of their own accord as if weighted by the importance of their message. But more than anything else I was compelled by their mystery, by all the stories they had yet to tell me.'I have to go to the library, Homer. I have to be with the books.”

“What if all those strange and unexplainable bends in history were the result of supernatural interference? At which point I asked myself, what's the weirdest most eccentric historical phenomenon of them all? Answer:the Great British Empire. Clearly, one tiny little island could only conquer half the known world with supernatural aid. Those absurd Victorian manners and ridiculous fashions were obviously dictated by vampires. And, without a doubt, the British army regimental system functions on werewolf pack dynamics.”

“Maybe I didn't treat you Quite as good as I should have Maybe I didn't love you Quite as often as I could have Little things I should have said and done I just never took the time You were always on my mind You were always on my mind”

“Haunting the library as a kid, reading poetry books when I was not reading bird books, I had been astonished at how often birds were mentioned in British poetry. Songsters like nightingales and Sky Larks appeared in literally dozens of works, going back beyond Shakespeare, back beyond Chaucer. Entire poems dedicated to such birds were written by Tennyson, Wordsworth, Shelley, Keats, and many lesser-known poets. I had run across half a dozen British poems just about Sky Larks; Thomas Hardy had even written a poem about Shelley’s poem about the Sky Lark. The love of birds and of the English language were intermingled in British literary history.Somehow we Americans had failed to import this English love of birds along with the language, except in diluted form. But we had imported a few of the English birds themselves — along with birds from practically everywhere else.”

“And he gave me a few of the Xeroxed sheets of paper lying on the table in front of him. As he passed them to me, his thumb brushed mine and I trembled from the touch. I had the sensation that our past and our future were in our fingers and that they had touched. And so, when I began to read the proffered pages, I at one moment lost the train of thought in the text and drowned it in my own feelings. In these seconds of absence and self-oblivion, centuries passed with every read but uncomprehended and unabsorbed line, and when, after a few moments, I came to and re-established contact with the text, I knew that the reader who returns from the open seas of his feelings is no longer the same reader who embarked on that sea only a short while ago. I gained and learned more by not reading than by reading those pages...”