“I wish I were a girl again, half savage and hardy, and free; and laughing at injuries, not maddening under them! Why am I so changed? why does my blood rush into a hell of tumult at a few words?”

“Oh, I'm burning! I wish I were out of doors! I wish I were a girl again, half savage and hardy, and free... and laughing at injuries, not maddening under them! Why am I so changed?”

“I wish I were a girl again, half savage and hardy, and free... Why am I so changed? I'm sure I should be myself were I once among the heather on those hills.”

“Entering by the carré, a piece of mirror- glass, set in an oaken cabinet, repeated my image. It said I was changed: my cheeks and lips were sodden white, my eyes were glassy, and my eyelids swollen and purple.On rejoining my companions, I knew they all looked at me - my heart seemed discovered to them: I believed myself self-betrayed. Hideously certain did it seem that the very youngest of the school must guess why and for whom I despaired.”

“[...] I daily wished more to please him; but to do so, I felt daily more and more that I must disown half my nature, stifle half my faculties, wrest my tastes from their original bent, force myself to the adoption of pursuits for which I had no natural vocation.”

“Why don't you tremble?" "I'm not cold." "Why don't you turn pale?" "I am not sick." "Why don't you consult my art?" "I'm not silly.The old crone "nichered" a laugh under her bonnet and bandage; she then drew out a short black pipe, and lighting it began to smoke. Having indulged a while in this sedative, she raised her bent body, took the pipe from her lips, and while gazing steadily at the fire, said very deliberately--"You are cold; you are sick; and you are silly." "Prove it," I rejoined. "I will, in few words. You are cold, because you are alone: no contact strikes the fire from you that is in you. You are sick; because the best of feelings, the highest and the sweetest given to man, keeps far away from you. You are silly, because, suffer as you may, you will not beckon it to approach, nor will you stir one step to meet it where it waits you.”

“Mark my words—you will come some day to a craggy pass in the channel, where the whole of life’s stream will be broken up into whirl and tumult, foam and noise: either you will be dashed to atoms on crag points, or lifted up and borne on by some master-wave into a calmer current—as I am now.”