“The writer who possesses the creative gift of fantasy owns something of which he is not always master; something that, at times, strangely wills and works for itself.”

“But this I know; the writer who possesses the creative gift owns something of which he is not always master--something that at times strangely wills and works for itself. He may lay down rules and devise principles, and to rules and principles it will perhaps for years lie in subjection; and then, haply without any warning of revolt, there comes a time when it will no longer consent.”

“My reader, I know, is one who would not thank me for an elaborate reproduction of poetic first impressions; and it is well, inasmuch as I had neither time nor mood to cherish such; arriving as I did late, on a dark, raw, and rainy evening, in a Babylon and a wilderness, of which the vastness and the strangeness tried to the utmost any powers of clear thought and steady self-possession with which, in the absence of more brilliant faculties, Nature might have gifted me.”

“Writers cannot choose their own mood: with them it is not always hide-tide, nor --thank Heaven!--always Storm.”

“And who cares for imagination? Who does not think it a rather dangerous, senseless attribute, akin to weakness, perhaps partaking of frenzy - a disease rather than a gift of the mind?Probably all think it so but those who possess, or fancy they possess it. To hear them speak, you would believe that their hearts would be cold if that elixir did not flow about them, that their eyes would be dim if that flame did not refine their vision, that they would be lonely if this strange companion abandoned them. You would suppose that it imparted some glad hope to spring, some fine charm to summer, some tranquil joy to autumn, some consolation to winter, which you do not feel. All illusion, of course; but the fanatics cling to their dream, and would not give it for gold.”

“Of an artistic temperament, I deny that I am; yet I must possess something of the artist's faculty of making the most of present pleasure.”

“I, to whom nature had denied the impromptu faculty; who, in public, was by nature a cypher; whose time of mental activity, even when alone, was not under the meridian sun; who needed the fresh silence of morning, or the recluse peace of evening, to win from the Creative Impulse one evidence of his presence, one proof of his force; I, with whom that Impulse was the most intractable, the most capricious, the most maddening of masters (him before me always excepted)--a deity, which sometimes, under circumstances apparently propitious, would not speak when questioned, would not hear when appealed to, would not, when sought, be found; but would stand, all cold, all indurated, all granite, a dark Baal with carven lips and blank eye-balls, and breast like the stone face of a tomb; and again, suddenly, at some turn, some sound, some long-trembling sob of the wind, at some rushing past of an unseen stream of electricity, the irrational demon would wake unsolicited, would stir strangely alive, would rush from its pedestral like a perturbed Dagon, calling to its votary for a sacrifice, whatever the hour--to its victim for some blood or some breath, whatever the circumstance or scene--rousing its priest, treacherously promising vaticanation, perhaps filling its temple with a strange hum of oracles, but sure to give half the significance to fateful winds, and grudging to the desperate listener even a miserable remnant--yielding it sordidly, as though each word had been a drop of the deathless ichor of its own dark veins.”