“And, as I traveled farther and farther, exploring the rich, sweet soul of her, my sense of pleasant friendship became but a broad foundation for such height, such breadth, such interlocked combination of feeling as left me fairly blinded with the wonder of it.”

“I want to marry you, Malda - because I love you - because you are young and strong and beautiful - because you are wild and sweet and - fragrant, and - elusive, like the wild flowers you love. Because you are so truly an artist in your special way, seeing beauty and giving it to others. I love you because of all of this, because you are rational and highminded and capable of friendship - and in spite of your cooking!”“But - how do you want to live?”“As we did here - at first,” he said. “There was peace, exquisite silence. There was beauty - nothing but beauty. There were the clean wood odors and flowers and fragrances and sweet wild wind. And there was you - your fair self, always delicately dressed, with white firm fingers sure of touch in delicate true work. I loved you then.”

“I would not say it to a living soul, of course, but this is dead paper and a great relief to my mind.”

“I often wonder if I could see her out of all the windows at once.But, turn as fast as I can, I can only see out of one at one time.And though I always see her, she may be able to creep faster than I can turn!I have watched her sometimes away off in the open country, creeping as fast as a cloud shadow in a high wind.”

“Its time we woke up,” pursued Gerald, still inwardly urged to unfamiliar speech. “Women are pretty much people, seems to me. I know they dress like fools - but who’s to blame for that? We invent all those idiotic hats of theirs, and design their crazy fashions, and what’s more, if a woman is courageous enough to wear common-sense clothes - and shoes - which of us wants to dance with her?”

“I learned a lot, when I was a child, from novels and stories, even fairytales have some point to them--the good ones. The thing that impressed me most forcibly was this: the villains went to work with their brains and always accomplished something. To be sure they were "foiled" in the end, but that was by some special interposition of Providence, not by any equal exertion of intellect on the part of the good people. The heroes and middle ones were mostly very stupid. If bad things happened, they practised patience, endurance, resignation, and similar virtues; if good things happened they practised modesty and magnanimity and virtues like that, but it never seemed to occur to any of them to make things move their way. Whatever the villains planned for them to do, they did, like sheep. The same old combinations of circumstances would be worked off on them in book after book--and they always tumbled.It used to worry me as a discord worries a musician. Hadn't they ever read anything? Couldn't they learn anything from what they read--ever? It appeared not. And it seemed to me, even as a very little child, that what we wanted was good people with brains, not just negative, passive, good people, but positive, active ones, who gave their minds to it."A good villain. That's what we need!" I said to myself. "Why don't they write about them? Aren't there ever any?"I never found any in all my beloved story books, or in real life. And gradually, I made up my mind to be one.”

“One new indulgence was to go out evenings alone. This I worked out carefully in my mind, as not only a right but a duty. Why should a woman be deprived of her only free time, the time allotted to recreation? Why must she be dependent on some man, and thus forced to please him if she wished to go anywhere at night?A stalwart man once sharply contested my claim to this freedom to go alone. “Any true man,” he said with fervor, “is always ready to go with a woman at night. He is her natural protector.” “Against what?” I inquired. As a matter of fact, the thing a woman is most afraid to meet on a dark street is her natural protector. Singular”