“It is a big, airy room, the whole floor nearly, with windows that look all ways, and air and sunshine galore. It was nursery first and then playroom and gymnasium, I should judge; for the windows are barred for little children, and there are rings and things in the walls.The paint and paper look as if a boys' school had used it. It is stripped off--the paper--in great patches all around the head of my bed, about as far as I can reach, and in a great place on the other side of the room low down. I never saw a worse paper in my life.One of those sprawling flamboyant patterns committing every artistic sin.It is dull enough to confuse the eye in following, pronounced enough to constantly irritate and provoke study, and when you follow the lame uncertain curves for a little distance they suddenly commit suicide--plunge off at outrageous angles, destroy themselves in unheard of contradictions.The color is repellant, almost revolting; a smouldering unclean yellow, strangely faded by the slow-turning sunlight.It is a dull yet lurid orange in some places, a sickly sulphur tint in others.No wonder the children hated it! I should hate it myself if I had to live in this room long.”
“It is dull enough to confuse the eye in following, pronounced enough to constantly irritate and provoke study, and when you follow the lame uncertain curves for a little distance they suddenly commit suicide—plunge off at outrageous angles, destroy themselves in unheard of contradictions.”
“For myself I can say that, having had every good thing that money can buy, an experience like another, I could part without a pang with every possession I have. We live in uncertain times and our all may yet be taken from us. With enough plain food to satisfy my small appetite, a room to myself, books from a public library, pens and paper, I should regret nothing.”
“Here's what's not beautiful about it: from here, you can't see the rust or the cracked paint or whatever, but you can tell what the place really is. You can see how fake it all is. It's not even hard enough to be made out of plastic. It's a paper town. I mean, look at it, Q: look at all those culs-de-sac, those streets that turn in on themselves, all the houses that were built to fall apart. All those paper people living in their paper houses, burning the future to stay warm. All the paper kids drinking beer some bum bought for them at the paper convenience store. Everyone demented with the mania of owning things. All the things paper-thin and paper-frail. And all the people, too. I've lived here for eighteen years and I have never once in my life come across anyone who cares about anything that matters.”
“In a way, literature is true than life,' he said to himself. 'On paper, you say exactly and completely what you feel. How easy it is to break things off on paper! You hate, you shout, you kill, you commit suicide; you carry things to the very end. And that's why it's false. But it's damned satisfying. In life, you're constantly denying yourself, and others are always contradicting you. On paper, I make time stand still and I impose my convictions on the whole world; they become the only reality.”
“I was one of those people who stumbled into things, who followed whims and took side roads, instead of finding some goal to pursue forward with unflagging commitment. I didn't even know what I wanted to be when I grew up, what I wanted to major in when I went to college. And I had always been blithely convinced that if I followed the side roads for long enough I'd trip over something wonderful, that thing you never know you're looking for until you land on it that suddenly makes the universe a much bigger place than it ever had been before.”