“So, tell me about yourself, Scarlet.” Gabriel said. “I already know about your love for coffee and sleeping in - which makes you awesome, by the way - but what else?”

“I tell you what's really ridiculous--going into a bookstore and there's all these books about yourself. In a way, it feels like you're already dead.”

“The idea tells you everything. Lots of times I get ideas, I fall in love with them. Those ones you fall in love with are really special ideas. And, in some ways, I always say, when something's abstract, the abstractions are hard to put into words unless you're a poet. These ideas you somehow know. And cinema is a language that can say abstractions. I love stories, but I love stories that hold abstractions--that can hold abstractions. And cinema can say these difficult-to-say-in-words things. A lot of times, I don't know the meaning of the idea, and it drives me crazy. I think we should know the meaning of the idea. I think about them, and I tell this story about my first feature Eraserhead. I did not know what these things meant to me--really meant. And on that particular film, I started reading the Bible. And I'm reading the Bible, going along, and suddenly--there was a sentence. And I said, forget it! That's it. That's this thing. And so, I should know the meaning for me, but when things get abstract, it does me no good to say what it is. All viewers on the surface are all different. And we see something, and that's another place where intuition kicks in: an inner-knowingness. And so, you see a thing, you think about it, and you feel it, and you go and you sort of know something inside. And you can rely on that. Another thing I say is, if you go--after a film, withholding abstractions--to a coffee place--having coffee with your friends, someone will say something, and immediately you'll say “No, no, no, no, that's not what that was about.” You know? “This is what it was about.” And so many things come out, it's surprising. So you do know. For yourself. And what you know is valid.”

“Listen to what you tell yourself about your life situation. If you find it's pessimistic or negative, ask yourself, "What's another way of thinking about this?" or "What do I want to create in my life?”

“Remember what I said about the mosquitoes?" "Which part" asked Maggie. "The scary part, the really scary part, the legitimately terrifying part, or the part that makes suicide sound like an awesome way to spend the evening?”

“Suddenly, I understand what Petra has always been trying to tell me. The whole time she was mumbling her litany of stories, she was always only telling me one thing. Love is when you care more about something else than you do about yourself.”