“Everything has changed. I cannot be used anymore. Those days are over. I know too much. What I do now, I do for me.”

China Miéville
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“I don't want to be a simile anymore,' I said. "I want to be a metaphor.”


“I do not dream, der Grimnebulin. I am a calculating machine that has calculated how to think. I do not dream. I have no neuroses, no hidden depths. My consciousness is a growing function of my processing power, not the baroque thing that sprouts from your mind, with its hidden rooms in attics and cellars.”


“We speak now or I do, and others do. You've never spoken before. You will. You'll be able to say how the city is a pit and a hill and a standard and an animal that hunts and a vessel on the sea and the sea and how we are fish in it, not like the man who swims weekly with fish but the fish with which he swims, the water, the pool. I love you, you light me, warm me, you are suns.You have never spoken before.”


“I've no interest in this city. I do not want to live in a curio, Johannes. This is a sideshow! This is something to scare the children! 'The Floating Pirate City'! I don't want it! I don't want to live in this great bobbing parasite, like some fucking pondskater sucking the victims dry. This isn't a city, Johannes; it's a parochial little village less than a mile wide, and I do not want it."I was always going to return to New Crobuzon. I would never wish to see out my days outside it. It's dirty and cruel and difficult and dangerous—particularly for me, particularly now—but it's my home. Nowhere else in the world has the culture, the industry, the population, the thaumaturgy, the languages, the art, the books, the politics, the history … New Crobuzon," she said slowly, "is the greatest city in Bas-Lag."And coming from her, someone without any illusions about New Crobuzon's brutality, or squalor, or repression, the declamation was far more powerful than if it came from any Parliamentarian."And you're telling me," she said finally, "that I've been exiled from my city—for life—because of you?”